“rare classic rock vinyl albums portland oregon classic rock radio station”

The essence of metal drumming is creating a loud, constant beat for the band using the “trifecta of speed, power, and precision”.[25] Metal drumming “requires an exceptional amount of endurance”, and drummers have to develop “considerable speed, coordination, and dexterity … to play the intricate patterns” used in metal.[26] A characteristic metal drumming technique is the cymbal choke, which consists of striking a cymbal and then immediately silencing it by grabbing it with the other hand (or, in some cases, the same striking hand), producing a burst of sound. The metal drum setup is generally much larger than those employed in other forms of rock music.[21] Black metal, death metal and some “mainstream metal” bands “all depend upon double-kicks and blast beats”.[27]

LA would be one of those fascinating markets. My recollection is that it was attempted in San Diego at one point, but probably too early to be effective. Again, KM, it’s a selective thing, but very likely not a national success.

Orchestre Symphonique et Lyrique de Nancy, Péter Nagy, Einar Steen-Nokleberg, Daniel Barenboim, Endre Hegedus, Max Richter, Royal Philharmonic Orchestra, Johann Pachelbel & Libor Pesek, Martha Argerich, Mitsuko Uchida

The Silvertones are four piece Blues band that also does classic rock songs from the 60s, 70s, and 80s. They were founded in 1993 by Brian Wicker and Kyle Copeland. Their inaugural gig was at The Filling Station in Terrell , Texas. Like all bands, The Silvertones have had several line-up changes through the years. The Silvertones’ music, over half of which is original, reflects the various influences that the band members grew up with. It’s primarily blues, with hints of jazz, swing,… (more)

By the early 2010s, metalcore was evolving to more frequently incorporate synthesizers and elements from genres beyond rock and metal. The album Reckless & Relentless by British band Asking Alexandria (which sold 31,000 copies in its first week), and The Devil Wears Prada’s 2011 album Dead Throne (which sold 32,400 in its first week)[290] reached up to number 9 and 10,[291] respectively, on the Billboard 200 chart. In 2013, British band Bring Me the Horizon released their fourth studio album Sempiternal to critical acclaim. The album debuted at number 3 on the UK Album Chart and at number 1 in Australia. The album sold 27,522 copies in the US, and charted at number 11 on the US Billboard Chart, making it their highest charting release in America until their follow-up album That’s the Spirit debuted at no. 2 in 2015.

Should easily be in the top twenty probably the top 10 of all time. Tom Petty’s career and the people he played with and who lived him and mourned his death is a whose who of the greatest in Rock of all time. Plus the Heartbreakers are all fantastic musicians and band. RIP legend.

Pink Floyd is like that one band that if you show someone the logo for Dark Side, they’ll say “Oh yeah that band, Pink Floyd right? ” Everybody knows it. For example take The Wall, listen to “Another Brick In The Wall Part One, Two and Three.” All three in a row. They blend seamlessly. Listen to the whole album, nonstop. Each song blends perfectly into the next. Pink Floyd brought the famous “If you don’t eat your meat, you can’t have any pudding”. I’m sorry but who the heck hasn’t heard that at least once in their life? For most, it’s avoided with an exception for Dark Side. I hate to say this but… Pink Floyd should take the number one spot, as should The Wall compared to Dark Side. “Mother do you think they’ll the drop the bomb? Mother do you think they’ll like this song? ” -Pink Floyd, Mother, The Wall.

The rhythm in metal songs is emphatic, with deliberate stresses. Weinstein observes that the wide array of sonic effects available to metal drummers enables the “rhythmic pattern to take on a complexity within its elemental drive and insistency”.[21] In many heavy metal songs, the main groove is characterized by short, two-note or three-note rhythmic figures—generally made up of 8th or 16th notes. These rhythmic figures are usually performed with a staccato attack created by using a palm-muted technique on the rhythm guitar.[36]

Whether Classic Rock earns summertime honors or not, it continues to defy format logic by maintain strong shares in all demos – 6+, 25-54, and amazingly, those 18-34s.  Here’s the updated chart from Nielsen, tacking the format each June in metered markets:

Personally, I’m a fan of a lot of this stuff, despite the fact it received consistently sporadic airplay in Detroit where I programmed.  Oddly enough, one of my favorite satellite music channels is “1st Wave,” which features a steady diet of bands like New Order, Depeche Mode, and others that Derdyn mentions in his column.  I would bet the folks at SiriusXM would tell us it’s not among the most popular of their themed music formats.

As described above, there are arguments about whether these and other early bands truly qualify as “heavy metal” or simply as “hard rock”. Those closer to the music’s blues roots or placing greater emphasis on melody are now commonly ascribed the latter label. AC/DC, which debuted with High Voltage in 1975, is a prime example. The 1983 Rolling Stone encyclopedia entry begins, “Australian heavy-metal band AC/DC”.[173] Rock historian Clinton Walker writes, “Calling AC/DC a heavy metal band in the seventies was as inaccurate as it is today…. [They] were a rock ‘n’ roll band that just happened to be heavy enough for metal”.[174] The issue is not only one of shifting definitions, but also a persistent distinction between musical style and audience identification: Ian Christe describes how the band “became the stepping-stone that led huge numbers of hard rock fans into heavy metal perdition”.[175]

Traditional power metal bands like Sweden’s HammerFall, England’s DragonForce, and Florida’s Iced Earth have a sound clearly indebted to the classic NWOBHM style.[238] Many power metal bands such as Florida’s Kamelot, Finnish groups Nightwish, Stratovarius and Sonata Arctica, Italy’s Rhapsody of Fire, and Russia’s Catharsis feature a keyboard-based “symphonic” sound, sometimes employing orchestras and opera singers. Power metal has built a strong fanbase in Japan and South America, where bands like Brazil’s Angra and Argentina’s Rata Blanca are popular.[239]

Classic rock is a radio format which developed from the album-oriented rock (AOR) format in the early 1980s. In the United States, the classic rock format features music ranging generally from the mid-1960s to the late 1980s, primarily focusing on commercially successful hard rock popularized in the 1970s.[1] The radio format became increasingly popular with the baby boomer demographic by the end of the 1990s.[2]

According to scholars David Hatch and Stephen Millward, Black Sabbath, and the numerous metal bands that they inspired, have concentrated lyrically “on dark and depressing subject matter to an extent hitherto unprecedented in any form of pop music”. They take as an example Sabbath’s second album Paranoid (1970), which “included songs dealing with personal trauma—’Paranoid’ and ‘Fairies Wear Boots’ (which described the unsavoury side effects of drug-taking)—as well as those confronting wider issues, such as the self-explanatory ‘War Pigs’ and ‘Hand of Doom’.”[55] Deriving from the genre’s roots in blues music, sex is another important topic—a thread running from Led Zeppelin’s suggestive lyrics to the more explicit references of glam and nu metal bands.[56]

Van Halen has some of the most infamous songs in rock history out there, but we do have to remember, this is one of those rare bands that have more than one hit. In fact, they have a good handful of songs that you can call your favorite, definitely not a one hit wonder!

Like many other rock bands, Aerosmith experienced a lull in their career due to the band member’s drug addiction problems. However, they managed to bounce back in the 1980s and even enjoyed a more successful renaissance in their career with their albums Pump (1989), Get a Grip (1993) and Nine Lives (1997), all of which went multi-platinum and further sealed their legendary status.

The MightyRealBand – Jazzy, Rockin, Soulful, Jammin The MightyRealBand is not your ordinary band – we bring over 30 years of the best dance songs ever. From the most intimate affairs to the highest profiled events, The MightyRealBand is sure to capture the spirit of any occasion. With a UN-BELIEVE-ABLE song list, this band can provide virtually any type of musical experience or set any atmosphere you desire for your event. The MightyRealBand grabs their audience and keeps… (more)

Within months of recording their fifth album Highway to Hell, lead singer Bon Scott died in early 1980 due excessive alcohol consumption. In grief, the band considered splitting up but changed their minds, eventually hiring British singer Brian Johnson to replace Scott. With Johnson as new front man, AC/DC recorded Back in Black which turned out to be their most commercially successful album — in fact, it became one of the best-selling albums of all time. The formula has not changed since the band’s genesis, and that even helped them sell millions of records worldwide.

8/17/03: Ozzy Osbourne and his wife, Sharon, sing “Take Me Out to the Ballgame” during the seventh-inning stretch at Wrigley Field Check out http://MLB.com/video for more! About MLB.com: About MLB.com: Baseball Commissioner Allan H. (Bud) Selig announced on January 19, 2000, that the 30 Major League Club owners voted unanimously to centralize all of Baseball’s Internet operations into an independent technology company.

In January 1969, Led Zeppelin’s self-titled debut album was released and reached number 10 on the Billboard album chart. In July, Zeppelin and a power trio with a Cream-inspired, but cruder sound, Grand Funk Railroad, played the Atlanta Pop Festival. That same month, another Cream-rooted trio led by Leslie West released Mountain, an album filled with heavy blues rock guitar and roaring vocals. In August, the group—now itself dubbed Mountain—played an hour-long set at the Woodstock Festival, exposing the crowd of 300,000 people to emerging sound of heavy metal.[148][149] Mountain’s proto-metal or early heavy metal hit song “Mississippi Queen” from the album Climbing! is especially credited with paving the way for heavy metal and was one of the first heavy guitar songs to receive regular play on radio.[148][150][151] In September 1969, the Beatles released the album Abbey Road containing the track “I Want You (She’s So Heavy)” which has been credited as an early example of or influence on heavy metal or doom metal.[152][153] In October 1969, British band High Tide debuted with the heavy, proto-metal album Sea Shanties.[154][139]

“Johnny B. Goode” is a song about a country boy who makes it big by playing rock and roll; of course, that boy was Chuck Berry himself, whose guitar work on this twangy tune comprises rock guitar 101. Just about every guitarist in the business has studied Berry’s riffs in this quintessential rock classic. Incidentally, “Johnny B. Goode” hit #8 on the Billboard Hot 100, and Rolling Stone magazine named it #7 on its list of the 500 Greatest Songs of All Time. Not bad for a song that has been called “the first rock star origin story.”

Brief, abrupt, and detached rhythmic cells are joined into rhythmic phrases with a distinctive, often jerky texture. These phrases are used to create rhythmic accompaniment and melodic figures called riffs, which help to establish thematic hooks. Heavy metal songs also use longer rhythmic figures such as whole note- or dotted quarter note-length chords in slow-tempo power ballads. The tempos in early heavy metal music tended to be “slow, even ponderous”.[21] By the late 1970s, however, metal bands were employing a wide variety of tempos. In the 2000s decade, metal tempos range from slow ballad tempos (quarter note = 60 beats per minute) to extremely fast blast beat tempos (quarter note = 350 beats per minute).[26]

They’re more metal than Hard Rock,but I’ll take them. I listen to all these young punks talk about Metallica and I always have to school them and let them know, there would be no Metallica if it wasn’t for Black Sabbath!

Native American Flute, Deep Sleep, Serenity Spa Music Relaxation, Walter Klien, Francois-Joel Thiollier, Natural White Noise: Music for Meditation, Relaxation, Sleep, Massage Therapy, Classical Lullabies, Massage Tribe, Sleep Tribe, Samuel Barber, Ludwig van Beethoven, Relaxing Music Orchestra, Sleeping Music, The London Philharmonic, Serenity Relaxation Music Spa, Chakra Balancing Sound Therapy, Calm Music Guru, Max Richter, All Night Sleeping Songs to Help You Relax, The Melachrino Strings and Orchestra with Trio Musette de Paris, Healing Music, Erik Satie, Spa, Yann Tiersen, Ready Baby Music!

Though less commercially successful than the rest of the Big Four, Slayer released one of the genre’s definitive records: Reign in Blood (1986) was credited for incorporating heavier guitar timbres, and for including explicit depictions of death, suffering, violence and occult into thrash metal’s lyricism.[207] Slayer attracted a following among far-right skinheads, and accusations of promoting violence and Nazi themes have dogged the band.[208] Even though Slayer did not receive substantial media exposure, their music played a key role in the development of extreme metal.[209]

Jump up ^ Ruhlmann, William. “Toto – Artist Biography”. AllMusic. Retrieved 24 May 2015. Soft rock group, formed by session musicians David Paich and Steve Porcaro, that neatly defined 1982 with a pair of smash hits, “Rosanna” and “Africa.”

He defined ‘80s rock with songs like “In the Air Tonight” and “Against All Odds,” and that was all after his successful ‘70s stint with the band Genesis. In 2010, Collins released “Going Back,” which is considered to be his final studio album. But could a comeback ever happen? Collins addressed his retirement on his website, revealing that he stopped his music career so he could be “a full time father to my two young sons on a daily basis.” Fans can only hope that maybe once his kids grow up he’ll be back.

WCSX Classic Cuts The Moody Blues: “I’m Just a Singer (In a Rock and Roll Band)” The Hook: Moody Blues bassist has an epiphany. Album: Seventh Sojourn Year: 1972 Writer: John Lodge Stats: Peaked at number-12 on the Billboard Hot 100. Background: Moody Blues singer-bassist John Lodge says “I’m Just a Singer (In a Roll…

“classic rock bands in colorado -classic rock bands on tour 2016”

As far as classic rock bands go Rush is very very very very very very good. I mean it is very impossible to play like them and their music is more than music I know this stuff because my dad learned off the internet how to get songs on your ipod playlist on your car radio so I hear a lot of old songs even though I am only turning 13 in a week and a half.

Yup, an LA thing. Maybe a Left Coast thing, but a market almost had to support a strong Modern Rock station back in the ’80s in order to have a sufficient nostalgic base. And yes, there’s the jock/presentation piece – something that’s too easy to overlook. Thanks, Dan.

6 The Rolling Stones The Rolling Stones are an English rock band formed in London in 1962. The first settled line-up consisted of Brian Jones (guitar, harmonica), Ian Stewart (piano), Mick Jagger (lead vocals, harmonica), Keith Richards (guitar), Bill Wyman (bass) and Charlie Watts (drums). …read more.

Many metal musicians when performing live engage in headbanging, which involves rhythmically beating time with the head, often emphasized by long hair. The il cornuto, or devil horns, hand gesture was popularized by vocalist Ronnie James Dio while with Black Sabbath and Dio.[44] Although Gene Simmons of Kiss claims to have been the first to make the gesture on the 1977 Love Gun album cover, there is speculation as to who started the phenomenon.[76]

These guys were basically the first to introduce synthsisers, something that most everyone else has relied on in their music. This band has tested rock time and time again and they have revolutionized it, creating some of the best and most favorite Classic Rock songs of all time. It is even said that Led Zepplin and many other British originated groups and singers, including U2, were influenced by these guys. The band includes one of the greatest guitarist, greatest drummer, and greatest bassist of all time. There is a reason they have been around for nearly fifty years and continue to perform.

Journey may be widely loved or roundly hated, grossly underrated or quite overrated, but it’s undeniable that the group has been enjoying a remarkable career that has spanned for over three decades. Charismatic front man Steve Perry and his cohorts Neal Schone and Jonathan Cain wrote some of the best-known hits in the rock arena.

Former Journey frontman Steve Perry famously walked away from his famous band for good in the late 1990s, and embarked on a brief solo career before becoming totally sidelined with a hip surgery. The “Faithfully” crooner has barely been seen on stage in the years since, with the exception of his surprising 2014 cameo at an Eels gig in Minnesota. Perry once said he got burnt out by the rock’n’ roll merry-go-round, so a comeback is unlikely, but we’d welcome him with open arms.

The critics say AC/DC songs sound the same. Tell me, does BACK IN BLACK (1980), For Those About to Rock (1981) sound like Rock and Roll Train (2009) and Rock Or Bust(2014)? Their sound is theirs. It’s that AC/DC sound that only the Young brothers can produce. It’s actually a subset of rock n roll. You have metal, blues, Rock, Pop, and AC/DC. Plus, they have never made music for the critics. They make it for their Fans. Put it this way: if AC/DC ever listened to their critics at least ONE TIME, I believe they wouldn’t be where they are today. Still making music for soundtracks. Still selling out stadiums at world record pace. I get a kick out of those who say “oh they’re losing a step. They’re getting old”. Haha! Of course! They’re human! But losing a step? I disagree. If they lose a step then they’re hiding it very well. Not bad for guys in their 60’s pushing 70! I can barely get out of bed at 40 sometimes but here they are rocking still. Numbers don’t lie and neither do the …more

In the wake of the new wave of British heavy metal and Judas Priest’s breakthrough British Steel (1980), heavy metal became increasingly popular in the early 1980s. Many metal artists benefited from the exposure they received on MTV, which began airing in 1981—sales often soared if a band’s videos screened on the channel.[190] Def Leppard’s videos for Pyromania (1983) made them superstars in America and Quiet Riot became the first domestic heavy metal band to top the Billboard chart with Metal Health (1983). One of the seminal events in metal’s growing popularity was the 1983 US Festival in California, where the “heavy metal day” featuring Ozzy Osbourne, Van Halen, Scorpions, Mötley Crüe, Judas Priest, and others drew the largest audiences of the three-day event.[191]

Endre Hegedus, Amadeus Quartet and Cecil Aronowitz and William Pleeth, Petersen Quartet, Itzhak Perlman & Daniel Barenboim, Claudio Arrau, Hilary Hahn & Allan Vogel & Los Angeles Chamber Orchestra & Jeffrey Kahane, Emerson String Quartet, Alfred Brendel and Bernard Haitink and London Philharmonic Orchestra, Joshua Bell, Eduardo Fernández and English Chamber Orchestra and George Malcolm, Kodaly Quartet, Daniel Barenboim, Mitsuko Uchida, Vladimir Ashkenazy, Academy of St. Martin in the Fields and Sir Neville Marriner, Simone Dinnerstein, Jaroslav Dvorak, Jozsef Kiss, The Angeles String Quartet, Francois-Joel Thiollier, Max Richter

Though Judas Priest did not have a top 40 album in the United States until 1980, for many it was the definitive post-Sabbath heavy metal band; its twin-guitar attack, featuring rapid tempos and a non-bluesy, more cleanly metallic sound, was a major influence on later acts.[5] While heavy metal was growing in popularity, most critics were not enamored of the music. Objections were raised to metal’s adoption of visual spectacle and other trappings of commercial artifice,[177] but the main offense was its perceived musical and lyrical vacuity: reviewing a Black Sabbath album in the early 1970s, leading critic Robert Christgau described it as “dull and decadent…dim-witted, amoral exploitation.”[178]

Other early documented uses of the phrase are from reviews by critic Mike Saunders. In the November 12, 1970 issue of Rolling Stone, he commented on an album put out the previous year by the British band Humble Pie: “Safe as Yesterday Is, their first American release, proved that Humble Pie could be boring in lots of different ways. Here they were a noisy, unmelodic, heavy metal-leaden shit-rock band with the loud and noisy parts beyond doubt. There were a couple of nice songs … and one monumental pile of refuse”. He described the band’s latest, self-titled release as “more of the same 27th-rate heavy metal crap”.[97]

The Greatest Guitarists Of All Time Kpop Idol Logos The Best Sophomore Albums of All Time The Greatest Tenors of All Time The Greatest Sopranos of All Time The Best Metal Songs About Missing Someone The Best Beatles Albums Current Singers You Most Wish You Could Sound Like 36 Songs You Never Realized Were About Bisexuality The Greatest Living Rock Songwriters The Best Rappers Who Started On SoundCloud The Best Hip Hop Groups of All Time Rank the Rock N Roll Hall of Fame Inductees

31 Fleetwood Mac Fleetwood Mac are a British-American rock band formed in July 1967, in London. The band have sold more than 100 million records worldwide, making them one of the best-selling bands of all time.

On the other side of the Atlantic, the trend-setting group was Grand Funk Railroad, described as “the most commercially successful American heavy-metal band from 1970 until they disbanded in 1976, [they] established the Seventies success formula: continuous touring”.[169] Other influential bands identified with metal emerged in the U.S., such as Sir Lord Baltimore (Kingdom Come, 1970), Blue Öyster Cult (Blue Öyster Cult, 1972), Aerosmith (Aerosmith, 1973) and Kiss (Kiss, 1974). Sir Lord Baltimore’s 1970 debut album and both Humble Pie’s debut and self-titled third album were all among the first albums to be described in print as “heavy metal”, with As Safe As Yesterday Is being referred to by the term “heavy metal” in a 1970 review in Rolling Stone magazine.[170][171] Various smaller bands from the U.S., U.K, and Continental Europe, including Bang, Josefus, Leaf Hound, Primeval, Hard Stuff, Truth and Janey, Dust, JPT Scare Band, Frijid Pink, Cactus, May Blitz, Captain Beyond, Toad, Granicus, Iron Claw, and Yesterday’s Children, though lesser known outside of their respective scenes, proved to be greatly influential on the emerging metal movement. In Germany, Scorpions debuted with Lonesome Crow in 1972. Blackmore, who had emerged as a virtuoso soloist with Deep Purple’s highly influential album Machine Head (1972), left the band in 1975 to form Rainbow with Ronnie James Dio, singer and bassist for blues rock band Elf and future vocalist for Black Sabbath and heavy metal band Dio. Rainbow with Ronnie James Dio would expand on the mystical and fantasy-based lyrics and themes sometimes found in heavy metal, pioneering both power metal and neoclassical metal.[172] These bands also built audiences via constant touring and increasingly elaborate stage shows.[115]

One band that reached diverse audiences was Guns N’ Roses. In contrast to their glam metal contemporaries in L.A., they were seen as much more raw and dangerous. With the release of their chart-topping Appetite for Destruction (1987), they “recharged and almost single-handedly sustained the Sunset Strip sleaze system for several years”.[196] The following year, Jane’s Addiction emerged from the same L.A. hard-rock club scene with its major label debut, Nothing’s Shocking. Reviewing the album, Rolling Stone declared, “as much as any band in existence, Jane’s Addiction is the true heir to Led Zeppelin”.[197] The group was one of the first to be identified with the “alternative metal” trend that would come to the fore in the next decade. Meanwhile, new bands such as New York’s Winger and New Jersey’s Skid Row sustained the popularity of the glam metal style.[198]

WCSX Classic Cuts The Moody Blues: “I’m Just a Singer (In a Rock and Roll Band)” The Hook: Moody Blues bassist has an epiphany. Album: Seventh Sojourn Year: 1972 Writer: John Lodge Stats: Peaked at number-12 on the Billboard Hot 100. Background: Moody Blues singer-bassist John Lodge says “I’m Just a Singer (In a Roll…

DOWNLOAD THE FREE KSLX AND START STREAMING!  YOU CAN WIN A PHOTO-OP WITH ZZ TOP AT ARIZONA BIKE WEEK, FRONT-ROW SEATS FOR JETHRO TULL & A CHANCE TO MEET NIGHT RANGER AT THE MUSCLE KINGZ CAR SHOW!     Read More »

Dubbed as an anthem for apathetic kids, “Smells Like Teen Spirit” is arguably Nirvana’s greatest hit and perhaps the greatest one of Grunge or alternative rock. It’s so popular, even now, that college marching bands sometimes play it. Moreover, the intro guitar lick, played with power chords, has become one of the most iconic riffs in rock and roll history. It seems every rock guitarist can play it to some degree. How about you? Anyway, the song blasted to #6 on Billboard’s Hot 100 in 1991 and 1992, shaking up the entire world of rock.

The following is a list of notable soft rock bands and artists and their most notable soft rock songs. This list should not include artists whose main style of music is anything other than soft rock, even if they have released one or more songs that fall under the “soft rock” genre. (Such songs can be added under Category:Soft rock songs.)

Although bands such as Sarcófago had been donning corpsepaint, by 1990, Mayhem was regularly wearing corpsepaint; many other black metal acts also adopted the look. Bathory inspired the Viking metal and folk metal movements and Immortal brought blast beats to the fore. Some bands in the Scandinavian black metal scene became associated with considerable violence in the early 1990s,[228] with Mayhem and Burzum linked to church burnings. Growing commercial hype around death metal generated a backlash; beginning in Norway, much of the Scandinavian metal underground shifted to support a black metal scene that resisted being co-opted by the commercial metal industry.[229]