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Heavy metal’s quintessential guitar style, built around distortion-heavy riffs and power chords, traces its roots to early 1950s Memphis blues guitarists such as Joe Hill Louis, Willie Johnson, and particularly Pat Hare,[108][109] who captured a “grittier, nastier, more ferocious electric guitar sound” on records such as James Cotton’s “Cotton Crop Blues” (1954);[109] the late 1950s instrumentals of Link Wray, particularly “Rumble” (1958);[110] the early 1960s surf rock of Dick Dale, including “Let’s Trippin'” (1961) and “Misirlou” (1962); and The Kingsmen’s version of “Louie Louie” (1963) which made it a garage rock standard.[111]

Even of the most latest song that currently hitting on the highest in the chart of these recent, these song is a rare kind legend and never will be surpassed, old may be but always refreshing as the time goes by.

You have got to be kidding me. Boston is higher than U2? At least U2 did something different to music! Boston made 5 hits. U2 made 15! Name a Boston song more successful than I Still Haven’t Found What I’m Looking For. Plus, U2 was in the rock hall their first year of eligibility. Boston isn’t even it it!

Opened for VINCE GILL, MARK CHESNUTT, ROBERT EARL KEEN, and even played for LADY GAGA’s Super Bowl halftime show rehearsal, among many more! Some of the most notable clients are HALLMARK CARDS, MICROSOFT, MONSTER JAM, LEATHERMAN TOOLS, TEXAS RANGERS, HYATT RESORTS, MARRIOTT RESORTS, WESTIN RESORTS, SAN ANTONIO EXPRESS NEWS, NOTRE DAME UNIVERSITY, DR HORTON, HEB, TESORO, SUPER BOWL, PEPSI and the list goes on! Jonathan has been fortunate to grace prominent stages such as the HOUSE OF BLUES… (more)

David Benoit, Cindy Bradley, Warren Hill, Darren Rahn, Julian Lage, Walter Beasley, Najee, Boney James, Dave Koz, Kim Waters, Bernie Williams, Lee Ritenour, Tim Bowman, Norman Brown, Brian Culbertson, Jay Soto, Keiko Matsui, Chris Botti, Althea Rene, Brian Simpson, Willie Bobo, Kenny G, Euge Groove, Paul Hardcastle, Wayman Tisdale, Nelson Rangell

The Eagles also enjoyed astronomical commercial success during their 70s-80s heyday. In 1971 the founding members started out as a backing band for singer Linda Ronstadt; with her blessing, Glenn Frey, Don Henley, Randy Meisner and Bernie Leadon decided to start their own band.

Included in Pink Floyd’s rock opera, The Wall, “Another Brick in the Wall (Part 2)” spawned a single that became Pink Floyd’s only number one hit in the US, UK and other countries. Subtitled “Education,” it’s a protest song about the strict schooling in the UK, particularly as it relates to that in boarding schools. Part 2, written by bassist Roger Waters, as well as all the other “parts” of the song, contains a school choir, a searing and poignant guitar solo by David Gilmour and a disco drum beat, of all things. Members of Pink Floyd resisted making this a single, but we’ll all lucky they changed their minds.

Bass Bass stack Fuzz bass Drumming Blast beat Cymbal choke Double bass drumming Gallop drumbeat Guitar Distortion Dropped tunings Guitar solo Palm muting Power chord Shred guitar Stacks Lyrics Vocals Death growl Screaming

Even in terms of fan base, the two fan bases are close in a way, although the general public has held a stereotype of heavy metal fans being suicidal, depressed and a danger to themselves and society in general. However, Adrian North, a Heriot-Watt University professor who studies genre listeners found that metal listeners were above all else creative, at ease with themselves and introverted — qualities he also found in classical listeners.[53][54]

If you’ve never heard of the band pictured at right*, 7 spins a week on a Classic Alternative station isn’t going to turn their music into high-testing big hits in 2017.  It’s hard to create a groundswell of support for poorly exposed music that’s now 30+ years old.

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