Beatles-A-Rama!!! The Show! with host Pat Matthews takes you on an incredible journey through the better known Fab 4 classics to their most obscure musical works, along with some great interviews and studio sessions making this show a must for any…
David Lloyd-Jones, English Chamber Orchestra & Benjamin Britten, Martha Argerich, The Angeles String Quartet, Alfred Brendel & Academy of St. Martin in the Fields & Sir Neville Marriner, Jozef Cejka, Sean Barrett, Benjamin Grosvenor, Yosemeh Adjei, The English Concert and Trevor Pinnock, Elizabeth Farr, Yo-Yo Ma, Max Richter, Alfred Brendel and Bernard Haitink and London Philharmonic Orchestra, Oxana Yablonskaya, Jozef Kopelman, Hilary Hahn & Margaret Batjer & Los Angeles Chamber Orchestra & Jeffrey Kahane, Jeremy Siepmann, Anthony Camden, Academy of St. Martin in the Fields and Sir Neville Marriner, Berliner Philharmoniker and Herbert von Karajan, Leonard Bernstein;New York Philharmonic Orchestra, Max Emanuel Cencic, Rudolf Baumgartner
Tried a classic alternative format in ’93 – ’94. A little soon, perhaps, but it was met with a strong positive reaction by listeners who had a modern rock station in their market but didn’t listen to them anymore because they did not like grunge. As Nirvana, Pearl Jam, Soundgarden, etc… dominated modern rock station playlists, these listeners had nowhere to go. These “80’s cutting edge” listeners were not so cutting edge anymore with the turn of the decade (not to mention, when MTV wasn’t playing grunge, they were playing rap). I have noticed that classic alternative works pretty well as a cornerstone in a Triple AAA format, but as a standalone format itself, I believe you are correct Mr. Jacobs.
Amazon is on it. I am blown away by how well they have their finger on the pulse of so many things, and this playlist is a prime example (pardon the pun). These songs are from my youth, and this would have been a playlist to die for when I was in high school. Loving that I can listen to all of them so easily all these years later. Thank you, Amazon.
A Grateful Dead concert is unlike any other. I saw then in the form of Dead & Company, and it was awesome! Every song is complimented by a long, improvised jam while the deadheads with dreadlocks dance. I’ve seen dudes on acid that night than I will ever see again – ryanrimmel
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Freddie Mercury- Iconic vocals, flamboyant stage persona, lively personality. Brian May- Underrated guitarist, beautiful voice, very wise. Roger Taylor- Amazing drummer, extraordinary falsettos, very humorous. John Deacon- Incredible bass lines, underrated songwriter, is the glue that holds everyone together. Do the math and combine it all together… what do you get- BAM! One of the greatest classic rock bands of all time. There music has and always will pass the test of time. To those who say Queen is overrated, please go kiss a goose. I would say Queen is a bit underrated, seeing people humming “We Are The Champions,” clapping along to “We Will Rock You,” heck, even trying to recreate iconic bass lines from “Another One Bites The Dust,” gives me joy. But that joy compresses into dust when they say they have no idea who Queen is. Queen covers nearly all genres. Funk, rockabilly, gospel, HECK, FREDDIE MERCURY SANG OPERA. Queen is the best and will stay that way.
This band showed astounding talent in every aspect of music. Listen to any of their songs to listen to Robert Plant’s triple octive voice. Listen to Kashmir or Moby Dick to hear John Bonham’s drum skills or The Lemon Song to hear one of the greatest bass lines ever.
One of the most influential bands in forging the merger of psychedelic rock and acid rock with the blues rock genre was the British power trio Cream, who derived a massive, heavy sound from unison riffing between guitarist Eric Clapton and bassist Jack Bruce, as well as Ginger Baker’s double bass drumming. Their first two LPs, Fresh Cream (1966) and Disraeli Gears (1967), are regarded as essential prototypes for the future style of heavy metal. The Jimi Hendrix Experience’s debut album, Are You Experienced (1967), was also highly influential. Hendrix’s virtuosic technique would be emulated by many metal guitarists and the album’s most successful single, “Purple Haze”, is identified by some as the first heavy metal hit. Vanilla Fudge, whose first album also came out in 1967, has been called “one of the few American links between psychedelia and what soon became heavy metal”, and the band has been cited as an early American heavy metal group. On their self-titled debut album, Vanilla Fudge created “loud, heavy, slowed-down arrangements” of contemporary hit songs, blowing these songs up to “epic proportions” and “bathing them in a trippy, distorted haze.”
Nobody does a heady, sweeping mix of rock and opera like Queen can, thanks to their fourth album A Night at the Opera in 1975. The LP contained the song “Bohemian Rhapsody,” which immortalized the band’s legendary status as one of rock’s most bombastic and electrifying acts.
They’re not all ’60s-era legacy bands either. As rock ‘n’ roll moved into the next decades, it diversified into a number of notable offshoots – from singer-songwriters and punk to hard rock and pop-metal – and this list ties together all of those various threads. It makes for quite a journey. Find out how they stack up, as we count down the Top 100 classic rock artists.
However, we would like to clarify that “classic rock” is NOT really a musical genre. The line between classic rock and oldies may be almost blurred but there is also a marked difference between them. Classic rock may mean oldies music, but oldies may not mean classic rock.
During the late 1960s, many psychedelic singers, such as Arthur Brown, began to create outlandish, theatrical and often macabre performances; which in itself became incredibly influential to many metal acts. The American psychedelic rock band Coven, who opened for early heavy metal influencers such as Vanilla Fudge and the Yardbirds, portrayed themselves as practitioners of witchcraft or black magic, using dark—Satanic or occult—imagery in their lyrics, album art, and live performances. Live shows consisted of elaborate, theatrical “Satanic rites.” Coven’s 1969 debut album, Witchcraft Destroys Minds & Reaps Souls, featured imagery of skulls, black masses, inverted crosses, and Satan worship, and both the album artwork and the band’s live performances marked the first appearances in rock music of the sign of the horns, which would later become an important gesture in heavy metal culture. At the same time in England, the band Black Widow were also among the first psychedelic rock bands to use occult and Satanic imagery and lyrics, though both Black Widow and Coven’s lyrical and thematic influences on heavy metal were quickly overshadowed by the darker and heavier sounds of Black Sabbath.
Musician and filmmaker Rob Zombie observes, “Most of the kids who come to my shows seem like really imaginative kids with a lot of creative energy they don’t know what to do with” and that metal is “outsider music for outsiders. Nobody wants to be the weird kid; you just somehow end up being the weird kid. It’s kind of like that, but with metal you have all the weird kids in one place”. Scholars of metal have noted the tendency of fans to classify and reject some performers (and some other fans) as “poseurs” “who pretended to be part of the subculture, but who were deemed to lack authenticity and sincerity”.
42 Tom Petty and the Heartbreakers Tom Petty and the Heartbreakers are an American rock band from Gainesville, Florida. In 1976, the band’s original lineup was Tom Petty as the lead singer and guitar player, Mike Campbell as the lead guitarist, Ron Blair on bass, Stan Lynch on drums, and Benmont Tench on keyboards.
21 Motley Crue Mötley Crüe was an American metal band formed in Los Angeles, California on January 17, 1981. The group was founded by bassist Nikki Sixx and drummer Tommy Lee, lead vocalist Vince Neil and lead guitarist Mick Mars.
Classic Rock was a genre mostly defined by US FM radio formats in the 1970s, growing out of the earlier Album Orientated Rock format. It was a harder, often Blues and Prog influenced style and was a reaction against both Punk / New Wave and Disco. This style is not correctly applied to sixties or 70s Pop Rock, Beat or Garage Rock bands, such as The Beatles, The Yardbirds or The Rolling Stones (pre 1970).