These classic rock radio stations are part of the Ultimate Classic Rock network. Listen free online to any of the following FM stations via the links below. To find out how to get a classic rock station included in this radio directory, send Ultimate Classic Rock an email.
However, the genre’s direct lineage begins in the mid-1960s. American blues music was a major influence on the early British rockers of the era. Bands like The Rolling Stones and The Yardbirds developed blues rock by recording covers of classic blues songs, often speeding up the tempos. As they experimented with the music, the UK blues-based bands—and the U.S. acts they influenced in turn—developed what would become the hallmarks of heavy metal, in particular, the loud, distorted guitar sound. The Kinks played a major role in popularising this sound with their 1964 hit “You Really Got Me”.
Other early documented uses of the phrase are from reviews by critic Mike Saunders. In the November 12, 1970 issue of Rolling Stone, he commented on an album put out the previous year by the British band Humble Pie: “Safe as Yesterday Is, their first American release, proved that Humble Pie could be boring in lots of different ways. Here they were a noisy, unmelodic, heavy metal-leaden shit-rock band with the loud and noisy parts beyond doubt. There were a couple of nice songs … and one monumental pile of refuse”. He described the band’s latest, self-titled release as “more of the same 27th-rate heavy metal crap”.
“Bohemian Rhapsody” is a prime example of 1970s’ progressive rock. Written by vocalist/pianist Freddy Mercury and performed by Queen, the song is a six-minute suite, including an operatic passage, of all things, and multiple key and tempo changes, and may be the most original of all songs on this stellar list. Not surprisingly, after released, “Bohemian Rhapsody” hit the top of the UK Singles Chart, selling more than nine million copies and kicked butt in the US as well. Astonishingly, the song was re-released in 1992, after the death of Mercury, and did almost as well then. Then in 2004, “Bohemian Rhapsody” was inducted into the Grammy Hall of Fame. This awesome song is a prime example of the astonishing range of expression in rock and roll!
Ready to rock? GigMasters can help you find a Classic Rock Bands fit for any event: weddings, birthday parties, anniversaries, corporate functions, and more. Choose from our listing of the best bands in the Dallas, TX area.
Katy Perry, Janet Jackson, Fifth Harmony, Christina Aguilera, Ariana Grande, Mariah Carey, Sia, Britney Spears, Lorde, Kesha feat. The Dap-Kings Horns, Adele, Whitney Houston, Ellie Goulding, Meghan Trainor, Kelly Clarkson, Sara Bareilles, Alessia Cara, Lady Gaga, Gwen Stefani, Taylor Swift, Cher, Rachel Platten, DJ Khaled feat. Rihanna & Bryson Tiller, Halsey, Demi Lovato, Madonna, Beyonce, P!nk, Dua Lipa, Selena Gomez, Miley Cyrus, Shakira, Alicia Keys feat. Nicki Minaj, Fergie, Jessie J & Ariana Grande & Nicki Minaj
Are you a fan of rock music? Ever since the dawn of rock and roll in the earlier part of the 20th century, there have been thousands of rock bands and musicians entering the scene over the past decades. Yet only the greatest have endured, whose music has stood the test of time even long after they are gone and continues to inspire today’s generation.
The mindset underlying classic rock was regarded by Christgau as politically regressive; he said the music eschewed ironic sensibilities in favor of unintellectual, conventional aesthetics rooted in Victorian era Romanticism, while downplaying the more radical aspects of 1960s counterculture, such as race, African-American music, politics, and pop in the art sense. “Though classic rock draws its inspiration and most of its heroes from the ’60s, it is, of course, a construction of the ’70s”, he wrote in 1991 for Details magazine. “It was invented by prepunk/predisco radio programmers who knew that before they could totally commodify ’60s culture they’d have to rework it—that is, selectively distort it till it threatened no one … In the official rock pantheon the Doors and Led Zeppelin are Great Artists while Chuck Berry and Little Richard are Primitive Forefathers and James Brown and Sly Stone are Something Else.” Regarding the development of classic rock, Christgau points to the compromised socioeconomic security and diminishing collective consciousness of a new generation of listeners in the 1970s and on, who succeeded rock’s early years during baby-boomer economic prosperity in the United States. “Not for nothing did classic rock crown the Doors’ mystagogic middlebrow escapism and Led Zep’s chest-thumping megalomaniac grandeur. Rhetorical self-aggrandizement that made no demands on everyday life was exactly what the times called for.” Shuker attributed the rise of classic-rock radio in part to “the consumer power of the aging post-war ‘baby boomers’ and the appeal of this group to radio advertisers”. In his opinion, classic rock also produced a rock music ideology and discussion of the music that was “heavily gendered”, celebrating “a male homosocial paradigm of musicianship” that “continued to dominate subsequent discourse, not just around rock music, but of popular music more generally.”
By the mid-1980s, glam metal was a dominant presence on the U.S. charts, music television, and the arena concert circuit. New bands such as L.A.’s Warrant and acts from the East Coast like Poison and Cinderella became major draws, while Mötley Crüe and Ratt remained very popular. Bridging the stylistic gap between hard rock and glam metal, New Jersey’s Bon Jovi became enormously successful with its third album, Slippery When Wet (1986). The similarly styled Swedish band Europe became international stars with The Final Countdown (1986). Its title track hit number 1 in 25 countries. In 1987, MTV launched a show, Ball, devoted exclusively to heavy metal videos. However, the metal audience had begun to factionalize, with those in many underground metal scenes favoring more extreme sounds and disparaging the popular style as “light metal” or “hair metal”.
The following is a list of notable soft rock bands and artists and their most notable soft rock songs. This list should not include artists whose main style of music is anything other than soft rock, even if they have released one or more songs that fall under the “soft rock” genre. (Such songs can be added under Category:Soft rock songs.)
Glam metal fell out of favor due not only to the success of grunge, but also because of the growing popularity of the more aggressive sound typified by Metallica and the post-thrash groove metal of Pantera and White Zombie. In 1991, the band Metallica released their album Metallica, also known as The Black Album, which moved the band’s sound out of the thrash metal genre and into standard heavy metal. The album was certified 16× Platinum by the RIAA. A few new, unambiguously metal bands had commercial success during the first half of the decade—Pantera’s Far Beyond Driven topped the Billboard chart in 1994—but, “In the dull eyes of the mainstream, metal was dead”. Some bands tried to adapt to the new musical landscape. Metallica revamped its image: the band members cut their hair and, in 1996, headlined the alternative musical festival Lollapalooza founded by Jane’s Addiction singer Perry Farrell. While this prompted a backlash among some long-time fans, Metallica remained one of the most successful bands in the world into the new century.
On September 13th, 2017 Foreigner’s catalog sales were celebrated in Business Insider magazine as hitting the Top 40 among the Best Selling Music Artists of All Time. The Beatles were justifiably #1, but Foreigner came in ahead of Britney Spears, Bob Dylan, Phil Collins, Prince, Queen, Bon Jovi and Def Leppard. With ten multi-platinum albums and sixteen Top 30 hits, Foreigner is universally…… more info »
49 Blue Oyster Cult Blue Öyster Cult is an American rock band from Long Island, New York, whose most successful work includes the hard rock and heavy metal songs “(Don’t Fear) The Reaper”, “Godzilla” and “Burnin’ for You”.
Best.. Song.. Ever.. I’m a guitarist going to school for music, and I can say with a good amount of education behind it that Gilmour/Floyd has done something that few other guitarist/musicians can do, and this song is proof of that… To this day, he is the only musician to bring me to tears through his playing alone. Listen to the live version off of the pulse tour, best all around solo I’ve ever listened to.
12. “I Believe In You” by Stryper. Does time seem to pass you by? Released in the summer of 1988, this Christian Rock ballad embodies what the real meaning of love is. From Stryper’s hit album In God We Trust, this song is worthy of being in anyone’s love song playlist.