Brief, abrupt, and detached rhythmic cells are joined into rhythmic phrases with a distinctive, often jerky texture. These phrases are used to create rhythmic accompaniment and melodic figures called riffs, which help to establish thematic hooks. Heavy metal songs also use longer rhythmic figures such as whole note- or dotted quarter note-length chords in slow-tempo power ballads. The tempos in early heavy metal music tended to be “slow, even ponderous”. By the late 1970s, however, metal bands were employing a wide variety of tempos. In the 2000s decade, metal tempos range from slow ballad tempos (quarter note = 60 beats per minute) to extremely fast blast beat tempos (quarter note = 350 beats per minute).
I just saw Alice Cooper in concert (August 2016) in Huntsville AL and he was absolutely awesome! If you ever have a chance to see him, DO NOT MISS OUT! It will be the experience of a lifetime. What a show!
Then we come to Freddie Mercury. A legend among legends. Freddie’s voice was so powerful and had a range that most singers only dream of acquiring. He is listed as one of the greatest frontman in history, which is no surprise to anyone who has seen it in person or on video. His death will be mourned for many more years.
This year Brothers Osborne return under their own steam. Their new album is scheduled for release in the spring via Snakefarm Records, and they undertake a headline UK tour in May. “The UK has become one of our favourite places to play,” enthuses John Osborne. “We’re thrilled to be doing our first ever headline tour there in May. Can’t wait!”
Blaggards, The BibleCode Sundays, Gaelic Storm, The Elders, The Dreadnoughts, Young Dubliners, The Tossers, Flogging Molly, The Pogues, Enter The Haggis, Flatfoot 56, Dropkick Murphys, The Black Tartan Clan, Shilelagh Law, Black 47, The Real McKenzies, The Rumjacks, The O’Reillys and the Paddyhats, Great Big Sea, The Irish Descendants
Slash feat Myles Kennedy & The Conspirators will return later this year with a new album: http://teamrock.com/news/2018-03-23/slash-feat-myles-kennedy-the-conspirators-return-with-new-album …pic.twitter.com/56CGwIbsSX
Don Henley of the Eagles wanted to write a song about life in Los Angeles, California, particularly its emphasis on fame, hedonism and money. Henley wrote, “It’s basically a song about the dark underbelly of the American dream and about excess in America, which is something we knew a lot about.” Henley wanted the song, decidedly somber, and played in harmonic minor, seem like an episode of the Twilight Zone, which it certainly does. Apparently the song worked on many levels, because it won the Grammy Award for Record of the Year in 1978. And the dueling guitars coda was rated the greatest guitar solo by Guitarist magazine in 1998.
Hank Mobley And His All Stars, Art Pepper With Conte Candoli, Wynton Kelly, Paul Chambers and Jimmie Cobb, Preservation Hall Jazz Band, The Hoagy Carmichael Trio, Joe Lovano, Larry Goldings & Marvin Sewell, DoDo Green, Sherman Irby, Bobby Hutcherson, Angela McCluskey With Tryptich, Various artists, Art Blakey, Charlie Hunter, Boz Scaggs, Lena Horne, Branford Marsalis Quartet, Johnny Griffin, Billie Holiday, Takuya Kuroda Sextet, David Murray, Jack Dejohnette, Herbie Hancock, Melody Gardot, The Oscar Peterson Trio, Vince Guaraldi, Eddie Gale, Norah Jones, Ella Fitzgerald & Louis Armstrong, John Coltrane, Karl Denson, Gretchen Parlato, Bill Evans Trio, Diana Krall, Robert Glasper/King, Kenny Burrell, Bob Dylan, Madeleine Peyroux, Eric Dolphy, Curtis Fuller, Jamie Cullum, Sidney Bechet, Charles Thomas, Aruan Ortiz, Francisco Mela & Esperanza Spalding, Trombone Shorty, Jon Gordon Quintet, Tim Hagans, Bill Charlap, Larry Grenadier, Billy Drummond, Edmond Hall, Gigi Gryce / Oscar Pettiford / Kenny Clarke / Duke Jordan
I suppose it’s just a generation gap speaking, but I wouldn’t have included most of the 80s songs that you did. I’d have included songs like My Generation, Respect, What I’d Say, and Like A Rolling Stone. This list just goes to show that rock has a lot of classics.
So what makes any rock music classic? Is it in the artist, the high amount of radio plays, the millions of records sold, or musical styles and subjects tackled in the lyrics? Actually, none of these things are required for music to be considered “classic rock.” “Classic rock” doesn’t mean the 70s rock records became automatically a classic by the time they were released. Nor an artist that releases these records doesn’t necessarily become a classic rock artist. A record’s huge sales don’t mean that record instantly becomes classic rock. The Beatles and Led Zeppelin have different musical styles and themes from each other, but both of them are nevertheless considered classic rock artists because they released classic rock albums.
Freddie Mercury- Iconic vocals, flamboyant stage persona, lively personality. Brian May- Underrated guitarist, beautiful voice, very wise. Roger Taylor- Amazing drummer, extraordinary falsettos, very humorous. John Deacon- Incredible bass lines, underrated songwriter, is the glue that holds everyone together. Do the math and combine it all together… what do you get- BAM! One of the greatest classic rock bands of all time. There music has and always will pass the test of time. To those who say Queen is overrated, please go kiss a goose. I would say Queen is a bit underrated, seeing people humming “We Are The Champions,” clapping along to “We Will Rock You,” heck, even trying to recreate iconic bass lines from “Another One Bites The Dust,” gives me joy. But that joy compresses into dust when they say they have no idea who Queen is. Queen covers nearly all genres. Funk, rockabilly, gospel, HECK, FREDDIE MERCURY SANG OPERA. Queen is the best and will stay that way.
“Bohemian Rhapsody” is a prime example of 1970s’ progressive rock. Written by vocalist/pianist Freddy Mercury and performed by Queen, the song is a six-minute suite, including an operatic passage, of all things, and multiple key and tempo changes, and may be the most original of all songs on this stellar list. Not surprisingly, after released, “Bohemian Rhapsody” hit the top of the UK Singles Chart, selling more than nine million copies and kicked butt in the US as well. Astonishingly, the song was re-released in 1992, after the death of Mercury, and did almost as well then. Then in 2004, “Bohemian Rhapsody” was inducted into the Grammy Hall of Fame. This awesome song is a prime example of the astonishing range of expression in rock and roll!
Music scholar Jon Stratton traced classic rock’s origins to the emergence of a classic-rock canon. This canon arose in part from music journalism and superlative lists ranking certain albums and songs that are consequently reinforced to the collective and public memory. Robert Christgau said the classic-rock concept transmogrified rock music into a “myth of rock as art-that-stands-the-test-of-time”, and believed the canonizing of certain rock artists by critics, major media, and music establishment entities such as the Rock and Roll Hall of Fame was inevitable. Media academic Roy Shuker said classic-rock radio programmers largely play “tried and proven” hit songs the past based on their “high listener recognition and identification”; he identified white male rock acts from the Beatles’ Sgt. Pepper era through the end of the 1970s as the focus of their playlists. As Catherine Strong observed, classic rock songs are generally performed by white male acts from either the United States or the United Kingdom, “have a four-four time, very rarely exceed the time limit of four minutes, were composed by the musicians themselves, are sung in English, played by a ‘classical’ rock formation (drums, bass, guitar, keyboard instruments) and were released on a major label after 1964.”
Just the best! The pioneers of Hard Rock.. With Robert Plant’s vocals and Jimme Page’s heavenly guitar.. With Bonham on drums and JP Jones on bass.. None of even todays greatest have a chance against them.. Led Zep forever!
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Yes deserves to be on this list because, like Queen, they were totally unique and very talented musically. Hard to believe bands like Motley Crue are above them. Any decent cover band can play a Motley Crue song as well as the original, but no one even attempts Yes songs because you have to be great musically.
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