Beatles-A-Rama!!! The Show! with host Pat Matthews takes you on an incredible journey through the better known Fab 4 classics to their most obscure musical works, along with some great interviews and studio sessions making this show a must for any…
Fashion and personal style was especially important for glam metal bands of the era. Performers typically wore long, dyed, hairspray-teased hair (hence the nickname, “hair metal”); makeup such as lipstick and eyeliner; gaudy clothing, including leopard-skin-printed shirts or vests and tight denim, leather, or spandex pants; and accessories such as headbands and jewelry. Pioneered by the heavy metal X Japan in the late 1980s, bands in the Japanese movement known as visual kei—which includes many nonmetal groups—emphasize elaborate costumes, hair, and makeup.
It is during the band’s golden era with Perry when the band enjoyed million-selling records — and that included seven consecutive multi-platinum albums such as their most famous Escape (1981) — sold-out concerts, and songs that have become the staple of classic rock. After Perry left the band, the group recruited Arnel Pineda and went on to score million-selling albums such as Revelation (2008) and Eclipse (2011). And it seems that Journey’s road to success isn’t letting up just yet.
One Fret Off is a versatile rock and variety band providing entertainment, excitement, and fun to audiences in North Texas venues . Hailing from Arlington, Texas, these guys are proof positive that talent, work ethic, and personal integrity are still qualities of virtue in today’s ever changing entertainment landscape. One Fret Off is a continually evolving entertainment powerhouse. Under the mantra of “Feed Your Music Addiction” the band has diversified its entertainment palette to include… (more)
Scott, thanks for the note. Specialty shows are a great way to pepper in material. And of course, any station that conducts music research can test these titles to ascertain their familiarity and popularity with their audiences. Appreciate the comment and thoughts.
In a review of Sir Lord Baltimore’s Kingdom Come in the May 1971 Creem, Saunders wrote, “Sir Lord Baltimore seems to have down pat most all the best heavy metal tricks in the book”. Creem critic Lester Bangs is credited with popularizing the term via his early 1970s essays on bands such as Led Zeppelin and Black Sabbath. Through the decade, heavy metal was used by certain critics as a virtually automatic putdown. In 1979, lead New York Times popular music critic John Rockwell described what he called “heavy-metal rock” as “brutally aggressive music played mostly for minds clouded by drugs”, and, in a different article, as “a crude exaggeration of rock basics that appeals to white teenagers”.
Most songs on this list were singles but, at least at first, this one wasn’t. Hey, the Zep didn’t do singles! Yet Atlantic Records released it as a promotional single in 1972. Appearing on Led Zeppelin’s fourth album, “Stairway to Heaven” is a song in three parts, each one increasing in tempo and volume, until the thunderous crescendo, punctuated by guitarist Jimmy Page’s orgasmic trills, and then the tune slowly fades away with an acoustic coda. This breathtaking tune was picked as #3 on VH1’s 100 Greatest Rock Songs compiled in 2000. Incidentally, the rock band Spirit claimed it had created the song’s signature riff, but Spirit lost the copyright infringement lawsuit in 2017.
Love breeds memory and memory breeds reminiscing. Released in 1969, this song is all about the experience. The experience of love that was eventually lost, but remembered through words. There is something to value about that.
Released in 1987, this classic love song takes you through the journey of someone who is in love but doesn’t know how to think about it. “Is this love that I’m feeling, is this the love, that I’ve been searching for? Is this love or am I dreaming?”
LA would be one of those fascinating markets. My recollection is that it was attempted in San Diego at one point, but probably too early to be effective. Again, KM, it’s a selective thing, but very likely not a national success.
The thematic content of heavy metal has long been a target of criticism. According to Jon Pareles, “Heavy metal’s main subject matter is simple and virtually universal. With grunts, moans and subliterary lyrics, it celebrates … a party without limits … [T]he bulk of the music is stylized and formulaic.” Music critics have often deemed metal lyrics juvenile and banal, and others have objected to what they see as advocacy of misogyny and the occult. During the 1980s, the Parents Music Resource Center petitioned the U.S. Congress to regulate the popular music industry due to what the group asserted were objectionable lyrics, particularly those in heavy metal songs. Andrew Cope states that claims that heavy metal lyrics are misogynistic are “clearly misguided” as these critics have “overlook[ed] the overwhelming evidence that suggests otherwise”. Music critic Robert Christgau called metal “an expressive mode [that] it sometimes seems will be with us for as long as ordinary white boys fear girls, pity themselves, and are permitted to rage against a world they’ll never beat”.