I swear as God as my witness, next to The Rolling Stones, this is one of the most overrated bands in the history of music! I would have to be in the best mood(as in I just got laid by Kate Upton) to give Aerosmith credit for 3 good songs (Ragdoll, Angel,& Dream On) And I’ll always have a chip on my shoulder with Aerosmith for committing the ultimate rock sin by doing that crossover crap with Run-DMC! Because of that, bands like Limp Bizkit, Korn, & Linkin Park were born.
^ a b “Three profiles of heavy metal fans: A taste for sensation and a subculture of alienation”, Jeffrey Arnett. In Qualitative Sociology; Publisher Springer Netherlands. ISSN 0162-0436. Volume 16, Number 4 / December 1993. Pages 423–443.
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Journey is one of the most under rated bands. Neil Shone, Jonathan Cain & Steve Perry wrote some of Rock’s best known hit’s. Perry has been called “The Voice”. Neil Shone is as good a guitar player as any & Cain a master on keyboards. Journey is Rock & Roll!
Scott, thanks for the note. Specialty shows are a great way to pepper in material. And of course, any station that conducts music research can test these titles to ascertain their familiarity and popularity with their audiences. Appreciate the comment and thoughts.
Glam metal fell out of favor due not only to the success of grunge, but also because of the growing popularity of the more aggressive sound typified by Metallica and the post-thrash groove metal of Pantera and White Zombie. In 1991, the band Metallica released their album Metallica, also known as The Black Album, which moved the band’s sound out of the thrash metal genre and into standard heavy metal. The album was certified 16× Platinum by the RIAA. A few new, unambiguously metal bands had commercial success during the first half of the decade—Pantera’s Far Beyond Driven topped the Billboard chart in 1994—but, “In the dull eyes of the mainstream, metal was dead”. Some bands tried to adapt to the new musical landscape. Metallica revamped its image: the band members cut their hair and, in 1996, headlined the alternative musical festival Lollapalooza founded by Jane’s Addiction singer Perry Farrell. While this prompted a backlash among some long-time fans, Metallica remained one of the most successful bands in the world into the new century.
This song by Aerosmith is included in their album Toys in the Attic which gave the band the breakthrough success they aspired. It still rocks to high heaven, even 40 years after it was first released.
Seriously? Forty-seven? Why is this song at 47? This song belongs in the top 10. Amazing vocals, an unforgettable chorus, a memorable guitar solo, terrific all-around performance, and everything else required for a song for the ages. Why this song clocks in at 47 simply defies belief.
By 1992, black metal scenes had begun to emerge in areas outside Scandinavia, including Germany, France, and Poland. The 1993 murder of Mayhem’s Euronymous by Burzum’s Varg Vikernes provoked intensive media coverage. Around 1996, when many in the scene felt the genre was stagnating, several key bands, including Burzum and Finland’s Beherit, moved toward an ambient style, while symphonic black metal was explored by Sweden’s Tiamat and Switzerland’s Samael. In the late 1990s and early 2000s decade, Norway’s Dimmu Borgir brought black metal closer to the mainstream, as did Cradle of Filth.
Sidewalk Prophets, Chris Tomlin, Royal Tailor, Third Day, NEEDTOBREATHE, Mikeschair, Tenth Avenue North, Crowder, The Afters, Newsboys, Matthew West, Big Daddy Weave, Building 429, for KING & COUNTRY, Casting Crowns, MercyMe
If someone is willing to save a soul, does that mean they love them? What if they have always loved them? Does that mean their love is real? Released in 1987, this epic love ballad proves that classic rock is always going to be played because if you have never heard of this tune, you haven’t heard what love is all about.
Heavy metal is traditionally characterized by loud distorted guitars, emphatic rhythms, dense bass-and-drum sound, and vigorous vocals. Metal subgenres variously emphasize, alter, or omit one or more of these attributes. New York Times critic Jon Pareles writes, “In the taxonomy of popular music, heavy metal is a major subspecies of hard-rock—the breed with less syncopation, less blues, more showmanship and more brute force.” The typical band lineup includes a drummer, a bassist, a rhythm guitarist, a lead guitarist, and a singer, who may or may not be an instrumentalist. Keyboard instruments are sometimes used to enhance the fullness of the sound. Deep Purple’s Jon Lord played an overdriven Hammond organ. In 1970, John Paul Jones used a Moog synthesizer on Led Zeppelin III; by the 1990s, in “almost every subgenre of heavy metal”[attribution needed] synthesizers were used.
23 Pink Floyd Pink Floyd were an English progressive rock band formed in London. They achieved international acclaim with their progressive and psychedelic music. The band consisted of 5 members – David Gilmour (Vocals and Guitar), Syd Barrett (Vocals and Guitarist), Nick Mason (Drums), Roger Waters (Vocals and Bass), …read more.
Classic Rock Playlist: Top 500 of the Greatest Classic Rock Songs: 1969, Vietnam War Protest, Peace, Summer of Love, Woodstock, Sex, Drugs & Rock N`Roll, The Spirit of Rock, Jimi Hendrix, Janis Joplin, Cannabis Weed, 1970s, Rolling Stones, Cre… more
David Benoit, Cindy Bradley, Warren Hill, Darren Rahn, Julian Lage, Walter Beasley, Najee, Boney James, Dave Koz, Kim Waters, Bernie Williams, Lee Ritenour, Tim Bowman, Norman Brown, Brian Culbertson, Jay Soto, Keiko Matsui, Chris Botti, Althea Rene, Brian Simpson, Willie Bobo, Kenny G, Euge Groove, Paul Hardcastle, Wayman Tisdale, Nelson Rangell
The mindset underlying classic rock was regarded by Christgau as politically regressive; he said the music eschewed ironic sensibilities in favor of unintellectual, conventional aesthetics rooted in Victorian era Romanticism, while downplaying the more radical aspects of 1960s counterculture, such as race, African-American music, politics, and pop in the art sense. “Though classic rock draws its inspiration and most of its heroes from the ’60s, is, of course, a construction of the ’70s”, he wrote in 1991 for Details magazine. “It was invented by prepunk/predisco radio programmers who knew that before they could totally commodify ’60s culture they’d have to rework it—that is, selectively distort it till it threatened no one … In the official rock pantheon the Doors and Led Zeppelin are Great Artists while Chuck Berry and Little Richard are Primitive Forefathers and James Brown and Sly Stone are Something Else.” Regarding the development of classic rock, Christgau points to the compromised socioeconomic security and diminishing collective consciousness of a new generation of listeners in the 1970s and on, who succeeded rock’s early years during baby-boomer economic prosperity in the United States. “Not for nothing did classic rock crown the Doors’ mystagogic middlebrow escapism and Led Zep’s chest-thumping megalomaniac grandeur. Rhetorical self-aggrandizement that made no demands on everyday life was exactly what the times called for.” Shuker attributed the rise of classic-rock radio in part to “the consumer power of the aging post-war ‘baby boomers’ and the appeal of this group to radio advertisers”. In his opinion, classic rock also produced a rock music ideology and discussion of the music that was “heavily gendered”, celebrating “a male homosocial paradigm of musicianship” that “continued to dominate subsequent discourse, not just around rock music, but of popular music more generally.”