What constitutes “Classic Rock”? As it turns out, the answer to that question has been shaped by careful data collection and even a few algorithms. Data-centric blog FiveThirtyEight put the numbers to the test and found that although New York stations seem to play more Led Zeppelin than their counterparts in KISS-loving Charlotte, North Carolina, the twenty-five most played classic rock artists nationwide – such as Led Zeppelin, Aerosmith, and the Rolling Stones – make up half of the plays on classic rock stations. This explains how the same song seems to surface on classic rock radio again, and again, and again…
Nice Not sure where people are getting the idea that this sampler is only free for 30 days unless they’re confusing the free trial for Google’s music service with it. The sampler is free indefinitely. Yes, it has limitations. You can only play tracks from Google within Google’s media player. Other than that, enjoy a few free tracks. I like it because I didn’t already have 3 of the tracks offered here.
Blaggards, The BibleCode Sundays, Gaelic Storm, The Elders, The Dreadnoughts, Young Dubliners, The Tossers, Flogging Molly, The Pogues, Enter The Haggis, Flatfoot 56, Dropkick Murphys, The Black Tartan Clan, Shilelagh Law, Black 47, The Real McKenzies, The Rumjacks, The O’Reillys and the Paddyhats, Great Big Sea, The Irish Descendants
Whether Classic Rock earns summertime honors or not, it continues to defy format logic by maintain strong shares in all demos – 6+, 25-54, and amazingly, those 18-34s. Here’s the updated chart from Nielsen, tacking the format each June in metered markets:
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The critics say AC/DC songs sound the same. Tell me, does BACK IN BLACK (1980), For Those About to Rock (1981) sound like Rock and Roll Train (2009) and Rock Or Bust(2014)? Their sound is theirs. It’s that AC/DC sound that only the Young brothers can produce. It’s actually a subset of rock n roll. You have metal, blues, Rock, Pop, and AC/DC. Plus, they have never made music for the critics. They make it for their Fans. Put it this way: if AC/DC ever listened to their critics at least ONE TIME, I believe they wouldn’t be where they are today. Still making music for soundtracks. Still selling out stadiums at world record pace. I get a kick out of those who say “oh they’re losing a step. They’re getting old”. Haha! Of course! They’re human! But losing a step? I disagree. If they lose a step then they’re hiding it very well. Not bad for guys in their 60’s pushing 70! I can barely get out of bed at 40 sometimes but here they are rocking still. Numbers don’t lie and neither do the …more
Classic Rock reviews any release that even comes close to being classified as rock, including albums, DVDs, concerts and books. It includes an annual award for best new band. Acts such as Rose Hill Drive, Muse, DragonForce, The Trews, Wolfmother and The Answer have all been featured.
Fashion and personal style was especially important for glam metal bands of the era. Performers typically wore long, dyed, hairspray-teased hair (hence the nickname, “hair metal”); makeup such as lipstick and eyeliner; gaudy clothing, including leopard-skin-printed shirts or vests and tight denim, leather, or spandex pants; and accessories such as headbands and jewelry. Pioneered by the heavy metal act X Japan in the late 1980s, bands in the Japanese movement known as visual kei—which includes many nonmetal groups—emphasize elaborate costumes, hair, and makeup.
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40 Slayer Slayer is an American thrash metal band from Huntington Park, California, formed in 1981 by guitarists Jeff Hanneman and Kerry They rose to fame with their 1986 album Reign in Blood, and is credited as one of the big four of thrash metal bands, the others being Metallica, Megadeth, and Anthrax. …read more.
Death metal, like thrash metal, generally rejects the theatrics of earlier metal styles, opting instead for an everyday look of ripped jeans and plain leather jackets. One major exception to this rule was Deicide’s Glen Benton, who branded an inverted cross on his forehead and wore armor on stage. Morbid Angel adopted neo-fascist imagery. These two bands, along with Death and Obituary, were leaders of the major death metal scene that emerged in Florida in the mid-1980s. In the UK, the related style of grindcore, led by bands such as Napalm Death and Extreme Noise Terror, emerged from the anarcho-punk movement.