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In live performance, loudness—an “onslaught of sound”, in sociologist Deena Weinstein’s description—is considered vital.[10] In his book Metalheads, psychologist Jeffrey Arnett refers to heavy metal concerts as “the sensory equivalent of war”.[28] Following the lead set by Jimi Hendrix, Cream and The Who, early heavy metal acts such as Blue Cheer set new benchmarks for volume. As Blue Cheer’s Dick Peterson put it, “All we knew was we wanted more power.”[29] A 1977 review of a Motörhead concert noted how “excessive volume in particular figured into the band’s impact.”[30] Weinstein makes the case that in the same way that melody is the main element of pop and rhythm is the main focus of house music, powerful sound, timbre, and volume are the key elements of metal. She argues that the loudness is designed to “sweep the listener into the sound” and to provide a “shot of youthful vitality”.[10]

^ “Kill Your Stereo – Reviews: Shai Hulud – Misanthropy Pure”. Retrieved February 17, 2012. Shai Hulud, a name that is synonymous (in heavy music circles at least) with intelligent, provocative and most importantly unique metallic hardcore. The band’s earliest release is widely credited with influencing an entire generation of musicians

Are you starting to believe that the writers for “The Simpsons” are from the future? I mean, how else can you explain them getting events correct years before they actually happen? “The Simpsons” have done it again by predicting the closure of Toys R Us way back in 2004. The episode was called “Marge vs…

“Freebird,” a power ballad by Lynyrd Skynyrd, quickly became a rock and roll classic, particularly its long three-part guitar solo at the end of the tune. Released as a single and also as a longer version on the album, “Freebird” has become the band’s signature song and is generally played at the end of each concert appearance, lasting as long as 14 minutes, give or take. The group solo itself rose to #3 on Guitar World’s 100 Greatest Guitar Solos. Interestingly, the song is dedicated to Duane Allman and Berry Oakley, members of the Allman Brothers who died in motor cycle accidents in the early 1970s, and then became “freebirds.”

Metalcore, a hybrid of extreme metal and hardcore punk,[265] emerged as a commercial force in the mid-2000s decade. Through the 1980s and 1990s, metalcore was mostly an underground phenomenon;[266] pioneering bands include Earth Crisis,[267][268] other prominent bands include Converge,[267] Hatebreed[268][269] and Shai Hulud.[270][271] By 2004, melodic metalcore—influenced as well by melodic death metal—was popular enough that Killswitch Engage’s The End of Heartache and Shadows Fall’s The War Within debuted at numbers 21 and 20, respectively, on the Billboard album chart.[272]

Should easily be in the top twenty probably the top 10 of all time. Tom Petty’s career and the people he played with and who lived him and mourned his death is a whose who of the greatest in Rock of all time. Plus the Heartbreakers are all fantastic musicians and band. RIP legend.

Beatles-A-Rama!!! The Show! with host Pat Matthews takes you on an incredible journey through the better known Fab 4 classics to their most obscure musical works, along with some great interviews and studio sessions making this show a must for any…

Of all the acts on our countdown of the Top 100 Classic Rock Songs, none gave us a bigger challenge than the Beatles. Although the decision to only include one song per act allowed for a greater range of bands, it also meant that the entire catalog of the Beatles, the greatest and most diverse in al…

Journey may be widely loved or roundly hated, grossly underrated or overrated, but it’s undeniable that the group has been enjoying a remarkable career that has spanned for over three decades. Charismatic front man Steve Perry and his cohorts Neal Schone and Jonathan Cain wrote some of the best-known hits in the rock arena.

17 The Jimi Hendrix Experience The Jimi Hendrix Experience was an English-American rock band that formed in Westminster, London, in September 1966. Composed of singer, songwriter, and guitarist Jimi Hendrix, bassist and backing vocalist Noel Redding, and drummer Mitch Mitchell, the band was active until June 1969. During this time …read more.

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During the late 1960s, many psychedelic singers, such as Arthur Brown, began to create outlandish, theatrical and often macabre performances; which in itself became incredibly influential to many metal acts.[125][126][127] The American psychedelic rock band Coven, who opened for early heavy metal influencers such as Vanilla Fudge and the Yardbirds, portrayed themselves as practitioners of witchcraft or black magic, using dark—Satanic or occult—imagery in their lyrics, album art, and live performances. Live shows consisted of elaborate, theatrical “Satanic rites.” Coven’s 1969 debut album, Witchcraft Destroys Minds & Reaps Souls, featured imagery of skulls, black masses, inverted crosses, and Satan worship, and both the album artwork and the band’s live performances marked the first appearances in rock music of the sign of the horns, which would later become an important gesture in heavy metal culture.[128][129] At the same time in England, the band Black Widow were also among the first psychedelic rock bands to use occult and Satanic imagery and lyrics, though both Black Widow and Coven’s lyrical and thematic influences on heavy metal were quickly overshadowed by the darker and heavier sounds of Black Sabbath.[128][129]

One band that reached diverse audiences was Guns N’ Roses. In contrast to their glam metal contemporaries in L.A., they were seen as much more raw and dangerous. With the release of their chart-topping Appetite for Destruction (1987), they “recharged and almost single-handedly sustained the Sunset Strip sleaze system for several years”.[196] The following year, Jane’s Addiction emerged from the same L.A. hard-rock club scene with its major label debut, Nothing’s Shocking. Reviewing the album, Rolling Stone declared, “as much as any band in existence, Jane’s Addiction is the true heir to Led Zeppelin”.[197] The group was one of the first to be identified with the “alternative metal” trend that would come to the fore in the next decade. Meanwhile, new bands such as New York’s Winger and New Jersey’s Skid Row sustained the popularity of the glam metal style.[198]

Now the LA punkoid rockers’ self-titled debut album is set for release on January 19 via Rough Trade Records. Also, keep an eye out for details of gigs, at which there will likely be more blood-spattering and straitjacket antics.

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