What constitutes “Classic Rock”? As it turns out, the answer to that question has been shaped by careful data collection and even a few algorithms. Data-centric blog FiveThirtyEight put the numbers to the test and found that although New York stations seem to play more Led Zeppelin than their counterparts in KISS-loving Charlotte, North Carolina, the twenty-five most played classic rock artists nationwide – such as Led Zeppelin, Aerosmith, and the Rolling Stones – make up half of the plays on classic rock stations. This explains how the same song seems to surface on classic rock radio again, and again, and again…
Classic Rock Playlist: Top 500 of the Greatest Classic Rock Songs: 1969, Vietnam War Protest, Peace, Summer of Love, Woodstock, Sex, Drugs & Rock N`Roll, The Spirit of Rock, Jimi Hendrix, Janis Joplin, Cannabis Weed, 1970s, Rolling Stones, Creedence Clearwater Revival, Bob Dylan, Neil Young, Buffalo Springfield, Edwin Starr, The Beatles, Jefferson Airplane, BAD COMPANY, The Band, The Doors, Fleetwood Mac, The Who, Buffalo, My Name Is Earl Music, Chris De Burgh, Peter Gabriel, Bon Jovi, Bob Seger, Kansas, Boston, Montrose, Led Zeppelin, Joe Walsh, Blue Oyster Cult, Budgie, Triumph, Pink Floyd, Black Keys, BTO, Lynyrd Skynyrd, ZZ Top, Dirty Trick, Van Halen, Rush, ELF, Tesla, Allman Brothers Band, America, Van Morrison, AC/DC, Electric Light Orchestra, Neil Young – Rockin’ In The Free World, HEART, Grass Roots, Montrose- Bad Motor Scooter, Aerosmith, RUSH, Chris de Burgh – A Spaceman Came Travelling, QUEEN, Peter Frampton, Pat Benatar, UFO, Elton John, Whitesnake, Deep Purple, Steely Dan, SteppenWolf, George Thorogood and the Destroyers, Led Zeppelin – All of My Love, Buffalo Springfield – For what it’s worth , Vietnam war, Cheap Trick, Kiss, Fleetwood Mac – Go your own way Live 1979, Hotel California… Eagles ( Album 1979 ) Little Richard, Bad Company – Bad Company (studio version) David Bowie, EAGLES, Alice Cooper, Born On The Bayou – Creedence Clearwater Revival, Absolute Steel, Johny Cash, Spooky Tooth, The Chambers Brothers, The Original Castle, Castle Blak, Peter Gabriel – Solsbury Hill, Bad Company – Simple Man, Paint it Black – Vietnam War, Jefferson Airplane – Volunteers (with Lyric), CREAM, Eric Clapton, Greg Allman, MOUNTAIN, Bruce Hornsby, Frenzy, Vietnam War House of the Rising Sun, Guns N’ Roses Civil War (World War II Saving Private Ryan) Tribute To Classic Rock, Deep Purple – Highway Star, Tom Petty And The Heartbreakers – I Won’t Back Down, Manfred Mann – Blinded by the Light, Rare Earth, Donovan Mellow Yellow, Little Richard, USA, Canada, Peter Green’s Fleetwood Mac – The Green Manalishi (With The Two Prong Crown), U2 – Pride (In The Name Of Love), Working Class Hero – John Lennon, AC/DC – Shoot To Thrill, Neil Young – Rockin’ In The Free World, One Tin Soldier – The Original Caste [Original], Have Mercy on Me – The Black Keys, Spirit in the Sky Norman Greenbaum, The Mamas & the Papas, Status Quo: Pictures Of Matchstick Men, 1968 less
Freeman, Steven; Freeman, Alan (1996). The Crack in the Cosmic Egg: Encyclopedia of Krautrock, Kosmische Musik, & Other Progressive, Experimental & Electronic Musics from Germany. Audion Publications. ISBN 0-9529506-0-X.
The mindset underlying classic rock was regarded by Christgau as politically regressive; he said the music eschewed ironic sensibilities in favor of unintellectual, conventional aesthetics rooted in Victorian era Romanticism, while downplaying the more radical aspects of 1960s counterculture, such as race, African-American music, politics, and pop in the art sense. “Though classic rock draws its inspiration and most of its heroes from the ’60s, it is, of course, a construction of the ’70s”, he wrote in 1991 for Details magazine. “It was invented by prepunk/predisco radio programmers who knew that before they could totally commodify ’60s culture they’d have to rework it—that is, selectively distort it till it threatened no one … In the official rock pantheon the Doors and Led Zeppelin are Great Artists while Chuck Berry and Little Richard are Primitive Forefathers and James Brown and Sly Stone are Something Else.” Regarding the development of classic rock, Christgau points to the compromised socioeconomic security and diminishing collective consciousness of a new generation of listeners in the 1970s and on, who succeeded rock’s early years during baby-boomer economic prosperity in the United States. “Not for nothing did classic rock crown the Doors’ mystagogic middlebrow escapism and Led Zep’s chest-thumping megalomaniac grandeur. Rhetorical self-aggrandizement that made no demands on everyday life was exactly what the times called for.” Shuker attributed the rise of classic-rock radio in part to “the consumer power of the aging post-war ‘baby boomers’ and the appeal of this group to radio advertisers”. In his opinion, classic rock also produced a rock music ideology and discussion of the music that was “heavily gendered”, celebrating “a male homosocial paradigm of musicianship” that “continued to dominate subsequent discourse, not just around rock music, but of popular music more generally.”
^ Jump up to: a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj ak al am an ao ap aq ar as at au av aw ax ay az Johnstone, Andrew (6 February 2015). “A General Guide to Soft Rock”. Rip It Up. Archived from the original on 28 September 2015.
During the late 1980s, the power metal scene came together largely in reaction to the harshness of death and black metal. Though a relatively underground in North America, it enjoys wide popularity in Europe, Japan, and South America. Power metal focuses on upbeat, epic melodies and themes that “appeal to the listener’s sense of valor and loveliness”. The prototype for the sound was established in the mid-to-late 1980s by Germany’s Helloween, which combined the power riffs, melodic approach, and high-pitched, “clean” singing style of bands like Judas Priest and Iron Maiden with thrash’s speed and energy, “crystalliz[ing] the sonic ingredients of what is now known as power metal”.
My name is Danny Johnson and I am in a family band with my brother and father. We play a wide variety of music. I try to focus in on Guitar Virtuoso Artists like Joe Satriani, Santana, Eric Johnson, and even Buckethead. But we also play great classic rock music from Ozzy, Metallica, Pink Floyd, Lynyrd Skynyrd, The Eagles, Led Zeppelin, etc. We also cover newer bands like Disturbed, Avenged Sevenfold, System of a Down, Bullet for my Valentine, Tenacious D, etc. We will learn any number… (more)
Many forget about this band, Eddie Van Halen Is One Of The Greatest Guitarists Ever, When They had David Lee Roth, They Were Unbeatable…. Many #1 Hits, Inducted Into the Rock N’ Roll Hall Of fame… Greatest Band Ever – VanHalen88
Slash feat Myles Kennedy & The Conspirators will return later this year with a new album: http://teamrock.com/news/2018-03-23/slash-feat-myles-kennedy-the-conspirators-return-with-new-album …pic.twitter.com/56CGwIbsSX
Hi All, if you planned on going to Frenchy’s Tavern in Roselle Park Friday January 5th to see the Memphis Rain Band, please call Frenchy’s first, because of bad weather our gig there maybe cancelled. Stay Warm and Safe!!! Memphis Rain Band
^ New York Daily News: “A look at the most iconic guitar riffs in rock history”, published in August 10, 2016. Online: http://www.nydailynews.com/entertainment/music/iconic-guitar-riffs-rock-history-article-1.2745646
Down-the-back long hair is the “most crucial distinguishing feature of metal fashion”. Originally adopted from the hippie subculture, by the 1980s and 1990s heavy metal hair “symbolised the hate, angst and disenchantment of a generation that seemingly never felt at home”, according to journalist Nader Rahman. Long hair gave members of the metal community “the power they needed to rebel against nothing in general”.
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U2 is one of the best bands ever! With or Without You, One, Where the Streets Have No Name… Really guys. Lots of the higher-ranked bands are mildly painful to listen to. U2 has way more good songs than some of those bands. Bono is the best, the Edge is fabulous on guitar. If you really listen to some of their songs, not just their most recent album, you would agree with me.
In the mid-1980s, the format’s widespread proliferation came on the heels of Jacobs Media’s (Fred Jacobs) success at WCXR, in Washington, D.C., and Edinborough Rand’s (Gary Guthrie) success at WZLX in Boston. Between Guthrie and Jacobs, they converted more than 40 major market radio stations to their individual brand of classic rock over the next several years.
36 Marilyn Manson Marilyn Manson is an American rock band from Fort Lauderdale, Florida. Formed in 1989 by frontman Marilyn Manson and Daisy Berkowitz, the group was originally named Marilyn Manson & the Spooky Kids with their theatrical performances gathering a local cult following in the early 1990s. …read more.
The terms “heavy metal” and “hard rock” have often been used interchangeably, particularly in discussing bands of the 1970s, a period when the terms were largely synonymous. For example, the 1983 Rolling Stone Encyclopedia of Rock & Roll includes this passage: “known for its aggressive blues-based hard-rock style, Aerosmith was the top American heavy-metal band of the mid-Seventies”.
Then we come to Freddie Mercury. A legend among legends. Freddie’s voice was so powerful and had a range that most singers only dream of acquiring. He is listed as one of the greatest frontman in history, which is no surprise to anyone who has seen it in person or on video. His death will be mourned for many more years.
The Bad #7s formed in 2016 by combining members from 3 other North Dallas bands. They are a 4 piece variety cover band with a female singer. With an always growing list of songs, they can perform a variety of songs including rock (classic, southern, hard, 80s, 90s, new), pop, 70s hits, 80s hits, 90s hits, 00s hits, current hits, standards, country and blues. This group primarily performs as a 4 piece, but can also perform as a duo or trio with vocal and acoustic guitar (and bass or… (more)
Acts to have appeared on the front cover three times or more to date include Queen, Guns N’ Roses, Black Sabbath / Ozzy Osbourne, Bon Jovi, Iron Maiden, Aerosmith, Led Zeppelin (Jimmy Page has been on the cover on his own right at least 4 times), Metallica, Thin Lizzy, Pink Floyd, Jimi Hendrix, Genesis, AC/DC, and Mötley Crüe. More recent acts to have been on the cover include The Darkness and Velvet Revolver have been on it twice.
35 The Cars The Cars are an American rock band that emerged from the new wave scene in the late 1970s. The band originated in Boston, Massachusetts in 1976, with singer, rhythm guitarist and songwriter Ric Ocasek, singer and bassist Benjamin Orr, lead guitarist Elliot Easton, keyboardist Greg Hawkes and drummer …read more.
In 1968, the sound that would become known as heavy metal began to coalesce. That January, the San Francisco band Blue Cheer released a cover of Eddie Cochran’s classic “Summertime Blues”, from their debut album Vincebus Eruptum, that many consider the first true heavy metal recording. The same month, Steppenwolf released its self-titled debut album, including “Born to Be Wild”, which refers to “heavy metal thunder” in describing a motorcycle. In July, the Jeff Beck Group, whose leader had preceded Page as The Yardbirds’ guitarist, released its debut record: Truth featured some of the “most molten, barbed, downright funny noises of all time,” breaking ground for generations of metal ax-slingers. In September, Page’s new band, Led Zeppelin, made its live debut in Denmark (billed as The New Yardbirds). The Beatles’ White Album, released the following month, included “Helter Skelter”, then one of the heaviest-sounding songs ever released by a major band. The Pretty Things’ rock opera S.F. Sorrow, released in December, featured “proto heavy metal” songs such as “Old Man Going” and “I See You”. Iron Butterfly’s 1968 song “In-A-Gadda-Da-Vida” is sometimes described as an example of the transition between acid rock and heavy metal or the turning point in which acid rock became “heavy metal”, and both Iron Butterfly’s 1968 album In-A-Gadda-Da-Vida and Blue Cheer’s 1968 album Vincebus Eruptum have been described as laying the foundation of heavy metal and greatly influential in the transformation of acid rock into heavy metal.
Jump up ^ Ruhlmann, William. “Toto – Artist Biography”. AllMusic. Retrieved 24 May 2015. Soft rock group, formed by session musicians David Paich and Steve Porcaro, that neatly defined 1982 with a pair of smash hits, “Rosanna” and “Africa.”
Like Jane’s Addiction, many of the most popular early 1990s groups with roots in heavy metal fall under the umbrella term “alternative metal”. Bands in Seattle’s grunge scene such as Soundgarden, credited as making a “place for heavy metal in alternative rock”, and Alice in Chains were at the center of the alternative metal movement. The label was applied to a wide spectrum of other acts that fused metal with different styles: Faith No More combined their alternative rock sound with punk, funk, metal, and hip hop; Primus joined elements of funk, punk, thrash metal, and experimental music; Tool mixed metal and progressive rock; bands such as Fear Factory, Ministry and Nine Inch Nails began incorporating metal into their industrial sound, and vice versa, respectively; and Marilyn Manson went down a similar route, while also employing shock effects of the sort popularized by Alice Cooper. Alternative metal artists, though they did not represent a cohesive scene, were united by their willingness to experiment with the metal genre and their rejection of glam metal aesthetics (with the stagecraft of Marilyn Manson and White Zombie—also identified with alt-metal—significant, if partial, exceptions). Alternative metal’s mix of styles and sounds represented “the colorful results of metal opening up to face the outside world.”