Jump up ^ Leigh, Frederic A. (2011). “Classic Rock Format”. In Sterling, Christopher H.; O’Dell, Cary. The Concise Encyclopedia of American Radio. Routledge. p. 153. ISBN 1135176841. Retrieved August 2, 2015.
Classic rock denotes a music style of rock that came into being in the time period between 1965 and 1975. The term itself was first coined in 1981 by the then newly established radio station WYSP. This station exclusively played various styles of rock music that were popular at that time.
You have some excellent choices, some from when I was little, to some when I was a tweener and then teenager and beyond….Continue with reviving the Good Stuff…..Old drunks and Potheads like it. Well, so do other people, who actually have taste in music. Thanks
Various artists, Claude Debussy, Rockabye Lullaby, Lullaby Baby: Instrumental Classics, Hushabye Baby, Smart Baby Lullaby Music, Classical Lullabies, Mozart Lullabies Baby Lullaby, Newborn Baby Lullabies, Rockabye Baby!, Twinkle Twinkle Little Star, Brian Crain, Soothing Piano Classics for Sleeping Babies, Michael Silverman, Lullaby Renditions of Classic Children’s Songs, Piano Lullabyes
The 47-year-old director looks great in pics he posted on social media after losing 20 pounds since his recent heart attack. He’s been following magician Penn Gillette’s book “Presto!: How I Made Over 100 Pounds Disappear and Other Magical Tales.” The key is a vegan diet. Smith was yanked off a plane years ago for…
It is during the band’s golden era with Perry when the band enjoyed million-selling records — and that included seven consecutive multi-platinum albums such as their most famous Escape (1981) — sold-out concerts, and songs that have become the staple of classic rock. After Perry left the band, the group recruited Arnel Pineda and went on to score million-selling albums such as Revelation (2008) and Eclipse (2011). And it seems that Journey’s road to success isn’t letting up just yet.
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Bon Jovi has and still is putting out the best rock music in the world. His most famous songs from Livin’ on a prayer is expected to be heard by. Not listening to this and another couple songs are not like watching the Matrix or like not hearing Don’t stop believin’. The lyrics of Bon Jovi speak truth and encourage many people. Unlike some other bands Bon Jovi are still living and playing. Not only does Bon Jovi make a ton of great hit songs they are aslo activist’s and help the community. Bon Jovi sold many, many, many records when recording and was said to put on some of the best concerts of that time.
“All Out of Love” “Even the Nights Are Better” “Here I Am” “Just as I Am” “Lonely Is the Night” “Lost in Love” “Making Love Out of Nothing at All” “The One That You Love”
The term “retro-metal” has been used to describe bands such as Texas-based The Sword, California’s High on Fire, Sweden’s Witchcraft, and Australia’s Wolfmother. The Sword’s Age of Winters (2006) drew heavily on the work of Black Sabbath and Pentagram, Witchcraft added elements of folk rock and psychedelic rock, and Wolfmother’s self-titled 2005 debut album had “Deep Purple-ish organs” and “Jimmy Page-worthy chordal riffing”. Mastodon, which plays in a progressive/sludge style, has inspired claims of a metal revival in the United States, dubbed by some critics the “New Wave of American Heavy Metal”.
The mindset underlying classic rock was regarded by Christgau as politically regressive; he said the music eschewed ironic sensibilities in favor of unintellectual, conventional aesthetics rooted in Victorian era Romanticism, while downplaying the more radical aspects of 1960s counterculture, such as race, African-American music, politics, and pop in the art sense. “Though classic rock draws its inspiration and most of its heroes from the ’60s, it is, of course, a construction of the ’70s”, he wrote in 1991 for Details magazine. “It was invented by prepunk/predisco radio programmers who knew that before they could totally commodify ’60s culture they’d have to rework it—that is, selectively distort it till it threatened no one … In the official rock pantheon the Doors and Led Zeppelin are Great Artists while Chuck Berry and Little Richard are Primitive Forefathers and James Brown and Sly Stone are Something Else.” Regarding the development of classic rock, Christgau points to the compromised socioeconomic security and diminishing collective consciousness of a new generation of listeners in the 1970s and on, who succeeded rock’s early years during baby-boomer economic prosperity in the United States. “Not for nothing did classic rock crown the Doors’ mystagogic middlebrow escapism and Led Zep’s chest-thumping megalomaniac grandeur. Rhetorical self-aggrandizement that made no demands on everyday life was exactly what the times called for.” Shuker attributed the rise of classic-rock radio in part to “the consumer power of the aging post-war ‘baby boomers’ and the appeal of this group to radio advertisers”. In his opinion, classic rock also produced a rock music ideology and discussion of the music that was “heavily gendered”, celebrating “a male homosocial paradigm of musicianship” that “continued dominate subsequent discourse, not just around rock music, but of popular music more generally.”
Though less commercially successful than the rest of the Big Four, Slayer released one of the genre’s definitive records: Reign in Blood (1986) was credited for incorporating heavier guitar timbres, and for including explicit depictions of death, suffering, violence and occult into thrash metal’s lyricism. Slayer attracted a following among far-right skinheads, and accusations of promoting violence and Nazi themes have dogged the band. Even though Slayer did not receive substantial media exposure, their music played a key role in the development of extreme metal.
By 1980, the NWOBHM had broken into the mainstream, as albums by Iron Maiden and Saxon, as well as Motörhead, reached the British top 10. Though less commercially successful, other NWOBHM bands such as Venom and Diamond Head would have a significant influence on metal’s development. In 1981, Motörhead became the first of this new breed of metal bands to top the UK charts with No Sleep ’til Hammersmith.
The magazine focuses on established bands with credentials dating back to the 1960s. Indeed, many of the artists who have appeared on its cover are deceased (Jimi Hendrix and Phil Lynott of Thin Lizzy featured on early covers, as did bands with deceased members such as Queen and The Who).