“classic rock names classic rock history bands”

Anyone can cover another artist’s song, but few are able to take that song and truly make it their own. In the case of ‘All Along The Watchtower,’ there is no doubt that Jimi Hendrix most certainly turned the Bob Dylan composition into not only a Hendrix song, but into a true classic.

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Music scholar Jon Stratton traced classic rock’s origins to the emergence of a classic-rock canon.[20] This canon arose in part from music journalism and superlative lists ranking certain albums and songs that are consequently reinforced to the collective and public memory.[21] Robert Christgau said the classic-rock concept transmogrified rock music into a “myth of rock as art-that-stands-the-test-of-time”, and believed the canonizing of certain rock artists by critics, major media, and music establishment entities such as the Rock and Roll Hall of Fame was inevitable.[22] Media academic Roy Shuker said classic-rock radio programmers largely play “tried and proven” hit songs from the past based on their “high listener recognition and identification”; he identified white male rock acts from the Beatles’ Sgt. Pepper era through the end of the 1970s as the focus of their playlists.[19] As Catherine Strong observed, classic rock songs are generally performed by white male acts from either the United States or the United Kingdom, “have a four-four time, very rarely exceed the time limit of four minutes, were composed by the musicians themselves, are sung in English, played by a ‘classical’ rock formation (drums, bass, guitar, keyboard instruments) and were released on a major label after 1964.”[21]

Played by masters of metal AC/DC, “Back in Black” has an incredibly infectious beat nobody can resist. (Listen to it right now and see if you can keep from gleefully jumping up and down.) Appearing on an album of the same name, the album sold 50 million copies – the second highest selling album ever – while “Back in Black” the song peaked at #37 on Billboard’s Hot 100 chart. A tribute to former lead singer Bon Scott, who died young at 33, Brian Johnson, Scott’s replacement, was asked to write the song and then the band created one of the most memorable hard-rock tunes of all time.

The Eagles also enjoyed astronomical commercial success during their 70s-80s heyday. In 1971 the founding members started out as a backing band for singer Linda Ronstadt; with her blessing, Glenn Frey, Don Henley, Randy Meisner and Bernie Leadon decided to start their own band.

Classic Rock is pleased to provide beautiful fine jewelry as well as custom design and repair services to the greater South Bay communities of San Jose, Santa Clara, Sunnyvale, Los Gatos, Los Altos, Saratoga, Milpitas, Campbell and Mountain View.

WCSX Classic Cuts The Moody Blues: “I’m Just a Singer (In a Rock and Roll The Hook: Moody Blues bassist has an epiphany. Album: Seventh Sojourn Year: 1972 Writer: John Lodge Stats: Peaked at number-12 on the Billboard Hot 100. Background: Moody Blues singer-bassist John Lodge says “I’m Just a Singer (In a Roll…

CLASSIC CUTS: Free Bird    Lynyrd Skynyrd: “Free Bird” The Hook: Easier to learn than you’d think. Album: (Pronounced ‘Lĕh-‘nérd ‘Skin-‘nérd) Year: 1973 Writers: Allen Collins and Ronnie Van Zant Stats: An edited version became Skynyrd’s second Top 20 hit, peaking at number-19 on the Billboard Hot 100. Background: Lynyrd Skynyrd guitarist Ricky Medlocke was the group’s drummer in 1970 and ’71, before they had a recording contract.…

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David Lloyd-Jones, English Chamber Orchestra & Benjamin Britten, Martha Argerich, The Angeles String Quartet, Alfred Brendel & Academy of St. Martin in the Fields & Sir Neville Marriner, Jozef Cejka, Sean Barrett, Benjamin Grosvenor, Yosemeh Adjei, The English Concert and Trevor Pinnock, Elizabeth Farr, Yo-Yo Ma, Max Richter, Alfred Brendel and Bernard Haitink and London Philharmonic Orchestra, Oxana Yablonskaya, Jozef Kopelman, Hilary Hahn & Margaret Batjer & Los Angeles Chamber Orchestra & Jeffrey Kahane, Jeremy Siepmann, Anthony Camden, Academy of St. Martin in the Fields and Sir Neville Marriner, Berliner Philharmoniker and Herbert von Karajan, Leonard Bernstein;New York Philharmonic Orchestra, Max Emanuel Cencic, Rudolf Baumgartner

Classic rock is a radio format which developed from the album-oriented rock (AOR) format in the early 1980s. In the United States, the classic rock format features music ranging generally from the mid-1960s to the late 1980s, primarily focusing on commercially successful hard rock popularized in the 1970s.[1] The radio format became increasingly popular with the baby boomer demographic by the end of the 1990s.[2]

4 Pink Floyd Pink Floyd were an English progressive rock band formed in London. They achieved international acclaim with their progressive and psychedelic music. The band consisted of 5 members – David Gilmour (Vocals and Guitar), Syd Barrett (Vocals and Guitarist), Nick Mason (Drums), Roger Waters (Vocals and Bass), …read more.

Do I Ryan need to explain why this song needs to be ranked higher? One of the best songs to ever capture the feel of the Vietnam war era angst without ever saying that’s what it was. It applies to every tragedy. One of the best songs ever released. Lets vote it up there.

One Reply to ““classic rock names classic rock history bands””

  1. Thrash soon began to evolve and split into more extreme metal genres. “Slayer’s music was directly responsible for the rise of death metal,” according to MTV News.[217] The NWOBHM band Venom was also an important progenitor. The death metal movement in both North America and Europe adopted and emphasized the elements of blasphemy and diabolism employed by such acts. Florida’s Death and the Bay Area’s Possessed are recognized as seminal bands in the style. Both groups have been credited with inspiring the subgenre’s name, the latter via its 1984 demo Death Metal and the song “Death Metal”, from its 1985 debut album Seven Churches (1985). In the late 1980s and early 1990s, Swedish death metal became notable and melodic forms of death metal were created.[218]
    The tritone, an interval spanning three whole tones—such as C to F#—was a forbidden dissonance in medieval ecclesiastical singing, which led monks to call it diabolus in musica—”the devil in music”.[46]
    The classic rock format evolved from AOR radio stations that were attempting to appeal to an older audience by including familiar songs of the past with current hits.[5] In 1980, AOR radio station M105 in Cleveland began billing itself as “Cleveland’s Classic Rock,” playing a mix of rock music from the mid-1960s to the present.[6] Similarly, WMET called itself “Chicago’s Classic Rock” in 1981.[7] In 1982, radio consultant Lee Abrams developed the “Timeless Rock” format which combined contemporary AOR with rock hits from the 1960s and 1970s.[8]

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