“classic rock radio stations nj -classic rock musicians”

Earlier in the week, musicologist, radio pro, and mega-blogger Alan Cross posed today’s post title as a question in his highly entertaining blog, “A Journal of Musical Things.”  Quoting a story in the Vancouver Province by Stuart Derdeyn, the burning issue on the table is whether “Classic Alternative” is poised to be the next incarnation of Classic Rock.

Continuing to prove that southern rock sells in large quantities on both sides of the Atlantic – and that it’s way more than some novel cowboy-yokel niche – these Nashville gents thrilled London’s Forum when they supported their pals The Cadillac Three in November. Listen to single It Ain’t My Fault for a taste and you’ll see why – it’s fantastically likeable.

^ Hannum, Terence (18 March 2016). “Instigate Sonic Violence: A Not-so-Brief History of the Synthesizer’s Impact on Heavy Metal”. noisey.vice.com. Vice. Retrieved 7 January 2017. In almost every subgenre of heavy metal, synthesizers held sway. Look at Cynic, who on their progressive death metal opus Focus (1993) had keyboards appear on the album and during live performances, or British gothic doom band My Dying Bride, who relied heavily on synths for their 1993 album, Turn Loose the Swans. American noise band Today is the Day used synthesizers on their 1996 self titled album to powerfully add to their din. Voivod even put synthesizers to use for the first time on 1991’s Angel Rat and 1993’s The Outer Limits, played by both guitarist Piggy and drummer Away. The 1990s were a gold era for the use of synthesizers in heavy metal, and only paved the way for the further explorations of the new millennia.

40 Slayer Slayer is an American thrash metal band from Huntington Park, California, formed in 1981 by guitarists Jeff Hanneman and Kerry King. They rose to fame with their 1986 album Reign in Blood, and is credited as one of the big four of thrash metal bands, the others being Metallica, Megadeth, and Anthrax. …read more.

16 Uriah Heep Uriah Heep are an English rock band formed in London in 1969 that was one of the top rock bands in the early 1970s. Twelve of the band’s albums have made it to the UK Albums Chart (Return to Fantasy reached No. 7 in 1975). Uriah Heep’s distinctive features include a massive keyboard sound, strong vocal …read more.

Heavy metal (or simply metal) is a genre of rock music[1] that developed in the late 1960s and early 1970s, largely in the United Kingdom.[2] With roots in blues rock and psychedelic/acid rock,[3] the bands that created heavy metal developed a thick, massive sound, characterized by highly amplified distortion, extended guitar solos, emphatic beats, and overall loudness. Heavy metal lyrics and performance styles are sometimes associated with aggression and machismo.[3]

The impetus for this song is that Paul McCartney wrote it for Julian, John Lennon’s son, after John had filed for divorce from Cynthia and struck up a romance with Yoko Ono. Paul felt sorry for kids in broken homes, ya know? Funny thing is, John thought the song was about him! Anyway, the single lasts seven minutes, long for the time, and who can forget the four-minute, orchestral coda? By the way, “Hey Jude” was the first single produced by Apple Records; it also stayed at number one on the US charts for nine weeks, topping all other Beatles’ singles; and in 2013 Billboard named it the tenth best song ever.

You have got to be kidding me. Boston is higher than U2? At least U2 did something different to music! Boston made 5 hits. U2 made 15! Name a Boston song more successful than I Still Haven’t Found What I’m Looking For. Plus, U2 was in the rock hall their first year of eligibility. Boston isn’t even it it!

Diamondbag has been playing live around the DFW metroplex since 2001. The group began as a Neil Diamond tribute band, and has since evolved into the area’s ultimate ’80s tribute band. Diamondbag’s ’80s repertoire focuses on the new wave/alternative genre (Duran Duran, U2, Depeche Mode), but also touches on rock (Journey, Bruce Springsteen, Van Halen) pop (Madonna, George Michael, a-ha), and R&B/soul (Prince). From ABBA to Zappa, Diamondbag can play just about anything you might want to hear…. (more)

Closely related to power is progressive metal, which adopts the complex compositional approach of bands like Rush and King Crimson. This style emerged in the United States in the early and mid-1980s, with innovators such as Queensrÿche, Fates Warning, and Dream Theater. The mix of the progressive and power metal sounds is typified by New Jersey’s Symphony X, whose guitarist Michael Romeo is among the most recognized of latter-day shredders.[240]

One of the best. This is a great song that closes off a great album. It was one of the first classic rock songs I really liked and Roger Daltry’s scream will be forever etched in my mind as well as the drum solo, the synth solo and everything else that makes this song amazing to me. – jarjar36

The electric guitar and the sonic power that it projects through amplification has historically been the key element in heavy metal.[10] The heavy metal guitar sound comes from a combined use of high volumes and heavy distortion.[11] For classic metal guitar tone, guitarists maintain moderate levels gain at moderate levels, without excessive preamp or pedal distortion, to retain open spaces and air in the music; the guitar amplifier is turned up loud to produce the characteristic “punch and grind”.[12] Thrash guitar tone has scooped mid-frequencies and tightly compressed sound with lots of bass frequencies.[12]Guitar solos are “an essential element of the heavy metal code … that underscores the significance of the guitar” to the genre.[13] Most heavy metal songs “feature at least one guitar solo”,[14] which is “a primary means through which the heavy metal performer expresses virtuosity”.[15] One exception is nu metal bands, which tend to omit guitar solos.[16] With rhythm guitar parts, the “heavy crunch sound in heavy metal … [is created by] palm muting” the strings with the picking hand and using distortion.[17] Palm muting creates a tighter, more precise sound and it emphasizes the low end.[18]

Origins of rock and roll Electronics in rock music Social effects Rock Against Communism Rock Against Racism Rock Against Sexism Rock music and the fall of communism Rockism and poptimism Women in rock

^ Jump up to: a b c d e f g h i j k l m n o p q Hickey, Walt (7 Jul 2014). “Why Classic Rock Isn’t What It Used To Be”. FiveThirtyEight (ESPN Internet Ventures). Retrieved 18 January 2016. “To see what the current state of classic rock in the United States looks like, I monitored 25 classic rock radio stations1 operating in 30 of the country’s largest metropolitan areas for a week in June.2 The result, after some substantial data cleaning, was a list of 2,230 unique songs by 475 unique artists, with a total record of 37,665 coded song plays across the stations.” 2,230 song list (WebCite archive)

Watch Marilyn Manson’s new video for Tattooed In Reverse – starring Courtney Love: http://teamrock.com/news/2018-03-23/marilyn-manson-releases-tattooed-in-reverse-video-starring-courtney-love …pic.twitter.com/9ke2Wof4te

When you think rock anthem, the first notes in Smoke On The Water are the ones who come to the mind of 90% of the population. You really have to think hard to come up with anything else. The beginning hit of Jealous Lover by Rainbow is a close second… You can’t even describe it.. Blackmore is king.

20 Thin Lizzy Thin Lizzy are an Irish rock band formed in Dublin in 1969. Their leader Phil Lynott was composer or co-composer of almost all of the band’s songs, and the first black Irishman to achieve commercial success in the field of rock music. Thin Lizzy’s most successful songs, “Whiskey in the Jar”, “Jailbreak” …read more.

While these bands may do well at state fairs and other summer festivals boasting well-stocked lineups of bands, their ability to support a format is questionable.  Classic Rock – and its derivatives – as well as Oldies stations were predicated on the power of nostalgia – not just for a few thousand fans in a market, but for tens of thousands or more of die-hard supporters.  We’re talking mass appeal vs. niche.

Kick back to some magic mix Jones, in his beer and cigarette haze, concocted to feed our Sinatra and 80s technopop…jones. And we turn it waayyy up during the mics, just to see the Drone fume at the banter between Glen and the Shakespearean wise…

^ Paul Sutcliffe quoted in Waksman, Steve. “Metal, Punk, and Motörhead: Generic Crossover in the Heart of the Punk Explosion”. Echo: A Music-Centered Journal 6.2 (Fall 2004). Retrieved on November 15, 2007.

15 Black Sabbath Black Sabbath were a Heavy Metal band formed in Birmingham, England in 1968 by guitarist and songwriter Tony Iommi, Singer Ozzy Osbourne, Bassist and Main Lyricist Geezer Butler and Drummer Bill Ward. The band got into mainstream after improving after their debut album got negative feedback. In 1978, …read more.

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There are bands that don’t have a single other band to even come close to them. Led Zeppelin had some of the greatest guitar solos the world has ever seen. Jimmy Page re-defined the way people play the guitar. Robert Plant is the greatest screamer ever. He actually sounds good. John Paul Jones was the fastest bassist trying to keep up with Jimmy when he did a guitar solo. Not many people could do that. And then you’ve got the greatest drummer ever who sat behind a drum kit. His solo in Rock and Roll is one of the greatest I’ve ever heard. And that brings me o my final quote: LED ZEPPELIN RULE!

The “Royal Dukes Band” is the function band that is not a “Function Band”. With regular showcase performances and a free demo CD you can see and hear them live before booking them, and pick and choose the size and configuration of your dream band. These full-time professional young musicians focus squarely on getting your night up and jumping, but without the cheese. Best of all, they are self-managed, so they are much less expensive than other bands in this quality bracket – you are not… (more)

Most songs on this list were singles but, at least at first, this one wasn’t. Hey, the Zep didn’t do singles! Yet Atlantic Records released it as a promotional single in 1972. Appearing on Led Zeppelin’s fourth album, “Stairway to Heaven” is a song in three parts, each one increasing in tempo and volume, until the thunderous crescendo, punctuated by guitarist Jimmy Page’s orgasmic trills, and then the tune slowly fades away with an acoustic coda. This breathtaking tune was picked as #3 on VH1’s 100 Greatest Rock Songs compiled in 2000. Incidentally, the rock band Spirit claimed it had created the song’s signature riff, but Spirit lost the copyright infringement lawsuit in 2017.

Don Henley of the Eagles wanted to write a song about life in Los Angeles, California, particularly its emphasis on fame, hedonism and money. Henley wrote, “It’s basically a song about the dark underbelly of the American dream and about excess in America, which is something we knew a lot about.” Henley wanted the song, decidedly somber, and played in harmonic minor, seem like an episode of the Twilight Zone, which it certainly does. Apparently the song worked on many levels, because it won the Grammy Award for Record of the Year in 1978. And the dueling guitars coda was rated the greatest guitar solo by Guitarist magazine in 1998.

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