The Party Rock Project is one of the coolest rock bands in Utah. They add their own unique, hip sound to everything from Cold Play to the Beatles, making each tune sound vibrant and fresh. They specialize in providing interactive entertainment for corporate functions, and really know how to bring fun to events.
21 Foreigner Foreigner is a British-American hard rock band, originally formed in New York City in 1976 by veteran English musician Mick Jones and fellow Briton and ex-King Crimson member Ian McDonald along with American vocalist Lou Gramm.
15 Black Sabbath Black Sabbath were a Heavy Metal band formed in Birmingham, England in 1968 by guitarist and songwriter Tony Iommi, Singer Ozzy Osbourne, Bassist and Main Lyricist Geezer Butler and Drummer Bill Ward. The band got into mainstream after improving after their debut album got negative feedback. In 1978, …read more.
Heavy metal (or simply metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom. With roots in blues rock and psychedelic/acid rock, the bands that created heavy metal developed a thick, massive sound, characterized by highly amplified distortion, extended guitar solos, emphatic beats, and overall loudness. Heavy metal lyrics and performance styles are sometimes associated with aggression and machismo.
“Best of My Love” “Busy Being Fabulous” “Desperado” “Doolin–Dalton” “Hotel California” “The Long Run” “Most of Us Are Sad” “New Kid in Town” “One of These Nights” “Peaceful Easy Feeling” “Take It Easy” “Tequila Sunrise”
Boston I think in my opinion is a great classic rock band because Boston isn’t too hard rock but just enough classic rock and rock and roll to create the perfect combo. Plus their first and second album were definitely the best. After that it was ok, with the exception of Amanda, that was a great song!
In the mid- and late 1990s came a new wave of U.S. metal groups inspired by the alternative metal bands and their mix of genres. Dubbed “nu metal”, bands such as Slipknot, Linkin Park, Limp Bizkit, Papa Roach, P.O.D., Korn and Disturbed incorporated elements ranging from death metal to hip hop, often including DJs and rap-style vocals. The mix demonstrated that “pancultural metal could pay off”. Nu metal gained mainstream success through heavy MTV rotation and Ozzy Osbourne’s 1996 introduction of Ozzfest, which led the media to talk of a resurgence of heavy metal. In 1999, Billboard noted that there were more than 500 specialty metal radio shows in the United States, nearly three times as many as ten years before. While nu metal widely popular, traditional metal fans did not fully embrace the style. By early 2003, the movement’s popularity was on the wane, though several nu metal acts such as Korn or Limp Bizkit retained substantial followings.
The 47-year-old director looks great in pics he posted on social media after losing 20 pounds since his recent heart attack. He’s been following magician Penn Gillette’s book “Presto!: How I Made Over 100 Pounds Disappear and Other Magical Tales.” The key is a vegan diet. Smith was yanked off a plane years ago for…
Satanic themes are common in black metal, though many bands take inspiration from ancient paganism, promoting a return to supposed pre-Christian values. Numerous black metal bands also “experiment with sounds from all possible forms of metal, folk, classical music, electronica and avant-garde”. Darkthrone drummer Fenriz explains, “It had something to do with production, lyrics, the way they dressed and a commitment to making ugly, raw, grim stuff. There wasn’t a generic sound.”
Never say never…except in this case. Led Zeppelin fans have been clamoring for a reunion of the iconic English rock band for decades, but a comeback tour sounds almost impossible. Following drummer John Bonham’s death in 1980, the three surviving band members reunited a couple of times for special gigs, but lead singer Robert Plant has long slammed the idea of a reunion tour. In 2014, Plant told Rolling Stone he has no plans to follow the path of some of his classic rock peers who continue to deal with the stadium tour circus.
Of all the acts on our countdown of the Top 100 Classic Rock Songs, none gave us a bigger challenge than the Beatles. Although the decision to only include one song per act allowed for a greater range of bands, it also meant that the entire catalog of the Beatles, the greatest and most diverse in al…
In live performance, loudness—an “onslaught of sound”, in sociologist Deena Weinstein’s description—is considered vital. In his book Metalheads, psychologist Jeffrey Arnett refers to heavy metal concerts as “the sensory equivalent of war”. Following the lead set by Jimi Hendrix, Cream and The Who, early heavy metal acts such as Blue Cheer set new benchmarks for volume. As Blue Cheer’s Dick Peterson put it, “All we knew was we wanted more power.” A 1977 review of a Motörhead concert noted how “excessive volume in particular figured into the band’s impact.” Weinstein makes the case that in the same way that melody is the main element of pop and rhythm is the main focus of house music, powerful sound, timbre, and volume are the key elements of metal. She argues that the loudness is designed to “sweep the listener into the sound” and to provide a “shot of youthful vitality”.
Over the years my taste in music has been redefined many times. It all came to a rest at Queen. The pure musicianship of every single member of this amazing band shows that they are the greatest band ever. Each member is credited for writing at least one #1 hit, even the bass and drummer. That is no surprise when you look at each one though. John Deacon has some of the most iconic bass lines ever. Roger Taylor with his intricate drum fills and an incredible voice which could have (and did) front a band of his own.
Heavy metal’s quintessential guitar style, built around distortion-heavy riffs and power chords, traces its roots to early 1950s Memphis blues guitarists such as Joe Hill Louis, Willie Johnson, and particularly Pat Hare, who captured a “grittier, nastier, more ferocious electric guitar sound” on records such as James Cotton’s “Cotton Crop Blues” (1954); the late 1950s instrumentals of Link Wray, particularly “Rumble” (1958); the early 1960s surf rock of Dick Dale, including “Let’s Go Trippin'” (1961) and “Misirlou” (1962); and The Kingsmen’s version of “Louie Louie” (1963) which made it a garage rock standard.