“classic rock top record sales +greatest classic rock bands of all time”

“Baby, What a Big Surprise”[92] “Brand New Love Affair, Part I & II”[93] “Colour My World”[94] “Does Anybody Really Know What Time It Is?”[95] “Hard Habit to Break”[96] “Hard to Say I’m Sorry”[92][94][96] “If You Leave Me Now”[3][4][12][30][94] “Make Me Smile”[95] “Saturday in the Park”[95] “Will You Still Love Me?”[96] “You’re the Inspiration”[92]

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Natural White Noise – Music for Meditation, Relaxation, Sleep, Thunderstorms, Lightning, Thunder and Rain Storm, Rain for Deep Sleep, Rain Shower Spa and Rain Sounds, Natural White Noise – Music for Meditation, Relaxation, Sleep, Massage, Spa, Relaxing Rain, Sleep Sounds, Music for Deep Meditation, Music for Deep Sleep, Rain, Nature Sounds, Rain Sounds, Thunderstorm, Thunderstorms, Lightning, Thunder and Rain Storm and Nature and Rain featuring Water Sound Natural White Noise, Ahanu Nature Sounds, Skate Creek Sounds, Joe Baker, Rain Meditation, Audionym

Kidsongs, Bert & Ernie & The Kid Chorus, The Hit Crew Kids, Songs For Children, The Kiboomers, Barney, Various artists, Bob McGrath, Go Fish, The Little Kids Band, Big Blue Dog Players, The Little Sunshine Kids, Big Bird & Kids, Kids – Children, Toddler Time & The Kiwi Kids, Susie Tallman, Sing n Play, Cooltime Kids, The Tiny Boppers, Lisa Loeb, Children’s Music, Cedarmont Kids, Caspar Babypants

Every month in Classic Rock our High Hopes feature focusses on new bands we believe have the capability of going on to achieve big and bold things. In the past, we’ve featured Black Stone Cherry, Rival Sons, Airbourne, Cadillac 3, Halestorm, Shinedown, Alter Bridge, Royal Blood and many more.

Metal artists have had to defend their lyrics in front of the U.S. Senate and in court. In 1985, Twisted Sister frontman Dee Snider was asked to defend his song “Under the Blade” at a U.S. Senate hearing. At the hearing, the PMRC alleged that the song was about sadomasochism and rape; Snider stated that the song was about his bandmate’s throat surgery.[61] In 1986, Ozzy Osbourne was sued over the lyrics of his song “Suicide Solution”.[62] A lawsuit against Osbourne was filed by the parents of John McCollum, a depressed teenager who committed suicide allegedly after listening to Osbourne’s song. Osbourne was not found to be responsible for the teen’s death.[63] In 1990, Judas Priest was sued in American court by the parents of two young men who had shot themselves five years earlier, allegedly after hearing the subliminal statement “do it” in a Priest song. While the case attracted a great deal of media attention, it was ultimately dismissed.[58] In 1991, UK police seized death metal records from the British record label Earache Records, in an “unsuccessful attempt to prosecute the label for obscenity”.[64]

Musician and filmmaker Rob Zombie observes, “Most of the kids who come to my shows seem like really imaginative kids with a lot of creative energy they don’t know what to do with” and that metal is “outsider music for outsiders. Nobody wants to be the weird kid; you just somehow end up being the weird kid. It’s kind of like that, but with metal you have all the weird kids in one place”.[87] Scholars of metal have noted the tendency of fans to classify and reject some performers (and some other fans) as “poseurs” “who pretended to be part of the subculture, but who were deemed to lack authenticity and sincerity”.[84][88]

Motörhead, founded in 1975, was the first important band to straddle the punk/metal divide. With the explosion of punk in 1977, others followed. British music papers such as the NME and Sounds took notice, with Sounds writer Geoff Barton christening the movement the “New Wave of British Heavy Metal”.[180] NWOBHM bands including Iron Maiden, Saxon, and Def Leppard re-energized the heavy metal genre. Following the lead set by Judas Priest and Motörhead, they toughened up the sound, reduced its blues elements, and emphasized increasingly fast tempos.[181]

The MightyRealBand – Jazzy, Rockin, Soulful, Jammin The MightyRealBand is not your ordinary band – we bring over 30 years of the best dance songs ever. From the most intimate affairs to the highest profiled events, The MightyRealBand is sure to capture the spirit of any occasion. With a UN-BELIEVE-ABLE song list, this band can provide virtually any type of musical experience or set any atmosphere you desire for your event. The MightyRealBand grabs their audience and keeps… (more)

Brief, abrupt, and detached rhythmic cells are joined into rhythmic phrases with a distinctive, often jerky texture. These phrases are used to create rhythmic accompaniment and melodic figures called riffs, which help to establish thematic hooks. Heavy metal songs also use longer rhythmic figures such as whole note- or dotted quarter note-length chords in slow-tempo power ballads. The tempos in early heavy metal music tended to be “slow, even ponderous”.[21] By the late 1970s, however, metal bands were employing a wide variety of tempos. In the 2000s decade, metal tempos range from slow ballad tempos (quarter note = 60 beats per minute) to extremely fast blast beat tempos (quarter note = 350 beats per minute).[26]

23 Pink Floyd Pink Floyd were an English progressive rock band formed in London. They achieved international acclaim with their progressive and psychedelic music. The band consisted of 5 members – David Gilmour (Vocals and Guitar), Syd Barrett (Vocals and Guitarist), Nick Mason (Drums), Roger Waters (Vocals and Bass), …read more.

11 Black Sabbath Black Sabbath were a Heavy Metal band formed in Birmingham, England in 1968 by guitarist and songwriter Tony Iommi, Singer Ozzy Osbourne, Bassist and Main Lyricist Geezer Butler and Drummer Bill Ward. The band got into mainstream after improving after their debut album got negative feedback. In 1978, …read more.

Smoke on the water has to be the most known song ever created.. Everyone knows the riff.. Its on the dodge commerical. Barracuda is the worst song I have ever heard. What arr you people smokin’? – superguy35

The Fire at Will Band is a great choice for parties, dance events, high school reunions, wedding receptions, and special events. They play high-energy classic tunes as well as some of today’s biggest hits.

“Bohemian Rhapsody” is a prime example of 1970s’ progressive rock. Written by vocalist/pianist Freddy Mercury and performed by Queen, the song is a six-minute suite, including an operatic passage, of all things, and multiple key and tempo changes, and may be the most original of all songs on this stellar list. Not surprisingly, after released, “Bohemian Rhapsody” hit the top of the UK Singles Chart, selling more than nine million copies and kicked butt in the US as well. Astonishingly, the song was re-released in 1992, after the death of Mercury, and did almost as well then. Then in 2004, “Bohemian Rhapsody” was inducted into the Grammy Hall of Fame. This awesome song is a prime example of the astonishing range of expression in rock and roll!

The variety, however, is staggering. There are some defined by songs, and others by the way other artists rushed to sound just like them. A few figures trace through multiple entries, showing up alone and in larger groups. Some remained steadfast in their musical convictions, playing with a remarkable consistency; others seemed to change directions as often as they switched venues on a cross-crossing world tour. Then there are those who appear like shooting stars, burning brightly but gone far too soon.

As the story goes, The Beatles movie needed a title, something other than Beatlemania, so the Beatles suggested a comment made by Ringo might work. Ringo had said they’ve worked so hard night and day that it’s been a hard . . . day’s night, kind of a malapropism. Eureka! Then, once the producers had a title for the movie, they also needed a theme song. So John Lennon and Paul McCartney wrote it and the Beatles recorded it the next day. In July 1964, “A Hard Day’s Night,” the single and album, soared to #1 on the charts in both the US and UK, the first time a musical group had achieved such a feat.

Matt Codina and the Glyders are studio quality musicians who know how to take ordinary parties and turn them into unforgettably-fun events. Crowds go gaga over their infectious music as they transform older rock tunes into danceable rockabilly classics. Invite Matt Codina and the Glyders to your next party and let the magic happen.

Though Judas Priest did not have a top 40 album in the United States until 1980, for many it was the definitive post-Sabbath heavy metal band; its twin-guitar attack, featuring rapid tempos and a non-bluesy, more cleanly metallic sound, was a major influence on later acts.[5] While heavy metal was growing in popularity, most critics were not enamored of the music. Objections were raised to metal’s adoption of visual spectacle and other trappings of commercial artifice,[177] but the main offense was its perceived musical and lyrical vacuity: reviewing a Black Sabbath album in the early 1970s, leading critic Robert Christgau described it as “dull and decadent…dim-witted, amoral exploitation.”[178]

^ Julian Schaap and Pauwke Berkers. “Grunting Alone? Online Gender Inequality in Extreme Metal Music” in Journal of the International Association for the Study of Popular Music. Vol. 4, no. 1 (2014) p. 105

The Party of Five classic rock band has one of the most extensive songs lists of any band around. This ensures that you’ll hear nothing but hit after hit, all party long. Get ready to dance the night away to all your classic rock favorites.

CLASSIC CUTS: Free Bird    Lynyrd Skynyrd: “Free The Hook: Easier to learn than you’d think. Album: (Pronounced ‘Lĕh-‘nérd ‘Skin-‘nérd) Year: 1973 Writers: Allen Collins and Ronnie Van Zant Stats: An edited version became Skynyrd’s second Top 20 hit, peaking at number-19 on the Billboard Hot 100. Background: Lynyrd Skynyrd guitarist Ricky Medlocke was the group’s drummer in 1970 and ’71, before they had a recording contract.…

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“Black Sabbath’s audience was…left to scavenge for sounds with similar impact. By the mid-1970s, heavy metal aesthetic could be spotted, like a mythical beast, in the moody bass and complex dual guitars of Thin Lizzy, in the stagecraft of Alice Cooper, in the sizzling guitar and showy vocals of Queen, and in the thundering medieval questions of Rainbow…. Judas Priest arrived to unify and amplify these diverse highlights from hard rock’s sonic palette. For the first time, heavy metal became a true genre unto itself.”[176]

Greatest Ever Classic Rock brings together 3 CDs of the best bands and songs the genre has to offer, from the metallic end of the spectrum (Motörhead, Judas Priest, Dio) via Southern Rock (Lynyrd Skynyrd, ZZ Top, The Allman Brothers Band) and British stalwarts (Thin Lizzy, Mott The Hoople) to radio and road-friendly offerings by the likes of The Pretenders, The Cars and Foreigner. Comprising 59 storming tracks from the rock canon, Greatest Ever Classic Rock is an essential companion for rock fans of any age.

It has been argued that heavy metal has outlasted many other rock genres largely due to the emergence of an intense, exclusionary, strongly masculine subculture.[80] While the metal fan base is largely young, white, male, and blue-collar, the group is “tolerant of those outside its core demographic base who follow its codes of dress, appearance, and behavior”.[81] Identification with the subculture is strengthened not only by the group experience of concert-going and shared elements of fashion, but also by contributing to metal magazines and, more recently, websites.[82] Attending live concerts in particular has been called the “holiest of heavy metal communions.”[83]

The classic rock format evolved from AOR radio stations that were attempting to appeal to an older audience by including familiar songs of the past with current hits.[5] In 1980, AOR radio station M105 in Cleveland began billing itself as “Cleveland’s Classic Rock,” playing a mix of rock music from the mid-1960s to the present.[6] Similarly, WMET called itself “Chicago’s Classic Rock” in 1981.[7] In 1982, radio consultant Lee Abrams developed the “Timeless Rock” format which combined contemporary AOR with rock hits from the 1960s and 1970s.[8]

DeCurtis, Anthony; Henke, James; George-Warren, Holly, eds. (1992). The Rolling Stone Album Guide: Completely New Reviews : Every Essential Album, Every Essential Artist (3rd ed.). Random House. ISBN 0-679-73729-4.

In live performance, loudness—an “onslaught of sound”, in sociologist Deena Weinstein’s description—is considered vital.[10] In his book Metalheads, psychologist Jeffrey Arnett refers to heavy metal concerts as “the sensory equivalent of war”.[28] Following the lead set by Jimi Hendrix, Cream and The Who, early heavy metal acts such as Blue Cheer set new benchmarks for volume. As Blue Cheer’s Dick Peterson put it, “All we knew was we wanted more power.”[29] A 1977 review of a Motörhead concert noted how “excessive volume in particular figured into the band’s impact.”[30] Weinstein makes the case that in the same way that melody is the main element of pop and rhythm is the main focus of house music, powerful sound, timbre, and volume are the key elements of metal. She argues that the loudness is designed to “sweep the listener into the sound” and to provide a “shot of youthful vitality”.[10]

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Slash feat Myles Kennedy & The Conspirators will return later this year with a new album: http://teamrock.com/news/2018-03-23/slash-feat-myles-kennedy-the-conspirators-return-with-new-album …pic.twitter.com/56CGwIbsSX

Within months of recording their fifth album Highway to Hell, lead singer Bon Scott died in early 1980 due excessive alcohol consumption. In grief, the band considered splitting up but changed their minds, eventually hiring British singer Brian Johnson to replace Scott. With Johnson as new front man, AC/DC recorded Back in Black which turned out to be their most commercially successful album — in fact, it became one of the best-selling albums of all time. The formula has not changed since the band’s genesis, and that even helped them sell millions of records worldwide.

38 Megadeth Megadeth is an American thrash metal band from Los Angeles, California. Megadeth was formed in 1983 by guitarist Dave Mustaine and bassist David Ellefson, shortly after Mustaine was fired from Metallica. They have released 15 studio albums to date, and have gone through many lineup changes, with Dave …read more.

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