The tritone, an interval spanning three whole tones—such as C to F#—was a forbidden dissonance in medieval ecclesiastical singing, which led monks to call it diabolus in musica—”the devil in music”.
During the late 1960s, many psychedelic singers, such as Arthur Brown, began to create outlandish, theatrical and often macabre performances; which in itself became incredibly influential to many metal acts. The American psychedelic rock band Coven, who opened for early heavy metal influencers such as Vanilla Fudge and the Yardbirds, portrayed themselves as practitioners of witchcraft or black magic, using dark—Satanic or occult—imagery in their lyrics, album art, and live performances. Live shows consisted of elaborate, theatrical “Satanic rites.” Coven’s 1969 debut album, Witchcraft Destroys Minds & Reaps Souls, featured imagery of skulls, black masses, inverted crosses, and Satan worship, and both the album artwork and the band’s live performances marked the first appearances in rock music of the sign of the horns, which would later become an important gesture in heavy metal culture. At the same time in England, the band Black Widow were also among the first psychedelic rock bands to use occult and Satanic imagery and lyrics, though both Black Widow and Coven’s lyrical and thematic influences on heavy metal were quickly overshadowed by the darker and heavier sounds of Black Sabbath.
Tried a classic alternative format in ’93 – ’94. A little soon, perhaps, but it was met with a strong positive reaction by listeners who had a modern rock station in their market but didn’t listen to them anymore because they did not like grunge. As Nirvana, Pearl Jam, Soundgarden, etc… dominated modern rock station playlists, these listeners had nowhere to go. These “80’s cutting edge” listeners were not so cutting edge anymore with the turn of the decade (not to mention, when MTV wasn’t playing grunge, they were playing rap). I have noticed that classic alternative works pretty well as a cornerstone in a Triple AAA format, but as a standalone format itself, I believe you are correct Mr. Jacobs.
Classic Rock was a genre mostly defined by US FM radio formats in the 1970s, growing out of the earlier Album Orientated Rock format. It was a harder, often Blues and influenced style and was a reaction against both Punk / New Wave and Disco. This style is not correctly applied to sixties or 70s Pop Rock, Beat or Garage Rock bands, such as The Beatles, The Yardbirds or The Rolling Stones (pre 1970).
14 Rush Rush is a Canadian progressive rock band that was formed in 1968. Even though the only founding member still in the band is Alex Lifeson (Guitar), the band is most well-known for their current members Neil Peart (Drums) and Geddy Lee (Bass, Vocals). …read more.
The greatest classic rock bands of all time embody the spirit of a generation of people who just wanted to rock. These top classic rock bands include some of the best live acts of all time and man, did they rock hard. For those who got to see these amazing classic rock bands live, you’ll surely understand how they earned the title of best classic rock band; for those who missed out, they’ll simply remain the bands you wish you could have seen live.
Metal historian Ian Christe describes what the components of the term mean in “hippiespeak”: “heavy” is roughly synonymous with “potent” or “profound,” and “metal” designates a certain type of mood, grinding and weighted as with metal. The word “heavy” in this sense was a basic element of beatnik and later countercultural hippie slang, and references to “heavy music”—typically slower, more amplified variations of standard pop fare—were already common by the mid-1960s. Iron Butterfly’s debut album, released in early 1968, was titled Heavy. The first use of “heavy metal” in a song lyric is in reference to a motorcycle in the Steppenwolf song “Born to Be Wild”, also released that year: “I like smoke and lightning/Heavy metal thunder/Racin’ with the wind/And the feelin’ that I’m under.”
Music scholar Jon Stratton traced classic rock’s origins to the emergence of a classic-rock canon. This canon arose in part from music journalism and superlative lists ranking certain albums and songs that are consequently reinforced to the collective and public memory. Robert Christgau said the classic-rock concept transmogrified rock music into a “myth of rock as art-that-stands-the-test-of-time”, and believed the canonizing of certain rock artists by critics, major media, and music establishment entities such as the Rock and Roll Hall of Fame was inevitable. Media academic Roy Shuker said classic-rock radio programmers largely play “tried and proven” hit songs from the past based on their “high listener recognition and identification”; he identified white male rock acts from the Beatles’ Sgt. Pepper era through the end of the 1970s as the focus of their playlists. As Catherine Strong observed, classic rock songs are generally performed by white male acts from either the United States or the United Kingdom, “have a four-four time, very rarely exceed the time limit of four minutes, were composed by the musicians themselves, are sung in English, played by a ‘classical’ rock formation (drums, bass, guitar, keyboard instruments) and were released on a major label after 1964.”
The following is a list of notable soft rock bands and artists and their most notable soft rock songs. This list should not include artists whose main style of music is anything other than soft rock, even if they have released one or more songs that fall under the “soft rock” genre. (Such songs can be added under Category:Soft rock songs.)
A pure classic in rock history, starts off in classic AC/DC fashion continues with timeless hard rock vocals, and that classic guitar riff that people who don’t even though what this song is knows, this is definitely a top ten pick for rock songs, without a doubt (although stairway is definitely better than this). Great contender for top three I feel, although all of these songs are great.