Led Zeppelin defined central aspects of the emerging genre, with Page’s highly distorted guitar style and singer Robert Plant’s dramatic, wailing vocals. Other bands, with a more consistently heavy, “purely” metal sound, would prove equally important in codifying the genre. The 1970 releases by Black Sabbath (Black Sabbath and Paranoid) and Deep Purple (In Rock) were crucial in this regard.
Earlier in the week, musicologist, radio pro, and mega-blogger Alan Cross posed today’s post title as a question in his highly entertaining blog, “A Journal of Musical Things.” Quoting a story in the Vancouver Province by Stuart Derdeyn, the burning issue on the table is whether “Classic Alternative” is poised to be the next incarnation of Classic Rock.
The Rumble Kings are hands down one of the most entertaining bands in Texas. Over the years the band has gelled into a true Rock & Roll show.Their huge sound & powerful performances are truly amazing for 3 musicians. Covering Artists from Elvis, Johnny Cash, SRV, Stray Cats, to Hendrix & everything else that Rocks and Rolls. If you’re ready to hear Rock ‘N’ Roll music the way it was meant to be heard… …don’t miss this show! (more)
38 Megadeth Megadeth is an American thrash metal band from Los Angeles, California. Megadeth was formed in 1983 by guitarist Dave Mustaine and bassist David Ellefson, shortly after Mustaine was fired from Metallica. They have released 15 studio albums to date, and have gone through many lineup changes, with Dave …read more.
How come they can’t mix these tunes into the classic rock formats that are getting soooooo stale. Seriously some of the songs are going on 50 years old! Its music of your life or the stardust format that our parents had when they were in their 30’s and 40’s. The Beatles, Who, Doors and Hendrix belong on an oldies format at this point. Why is radio so slow to keep up in an age where everything is going so fast to keep up with shrinking attention spans and competition from new media? I hear our Classic Rocker in Baltimore playing more 90’s, but its all the Seattle stuff or they will stray into U2 for alternative.
One Fret Off is a versatile rock and variety band providing entertainment, excitement, and fun to audiences in North Texas venues . Hailing from Arlington, Texas, these guys are proof positive that talent, work ethic, and personal integrity are still qualities of virtue in today’s ever changing entertainment landscape. One Fret Off is a continually evolving entertainment powerhouse. Under the mantra of “Feed Your Music Addiction” the band has diversified its entertainment palette to include… (more)
Classic rock is a radio format which developed from the album-oriented rock (AOR) format in the early 1980s. In the United States, the classic rock format features music ranging generally from the mid-1960s to the late 1980s, primarily focusing on commercially successful hard rock popularized in the 1970s. The radio format became increasingly popular with the baby boomer demographic by the end of the 1990s.
Typically, classic rock stations play rock songs from the mid-1960s through the 1980s. Some of the songs overlap with those played on oldies stations, but classic rock also focuses on hard rock and heavy metal bands and artists that are less radio friendly and therefore are usually not played on oldies stations. Classic rock stations have historically been hesitant to add 1990s rock such as alternative rock and grunge to their playlists, due in part to the drastic difference in style, but (mirroring a similar trend in classic country, where a similar 1990-era divide also exists) a small number of classic rock stations began adding 1990s music in the early 2010s. Unlike AOR radio stations, which played all tracks from albums, classic rock plays a much more limited playlist of charting singles and popular album tracks from artists and bands.
Every instrumentalist is top-notch; writing and lyrics are fantastic, and no other vocalist could ever beat Steve Perry in his prime. Their songs usually carried a good message which I appreciated. Arnel is good, too, but Perry hit it out of the park every time.
LA would be one of those fascinating markets. My recollection is that it was attempted in San Diego at one point, but probably too early to be effective. Again, KM, it’s a selective thing, but very likely not a national success.
Well, when we did the first “all 80’s” station in Columbus in 1998, I found that the rock product drove the bus. Alternative was a bit weaker and tested so at the time. But, we were a bit early in the curve (as today’s radio now shows), and my 20 something nephew talks a lot about 90’s alternative and grunge. So…my answer is a qualified maybe. It’s not always bad to be ahead of the curve. Sometimes, you’re just not in the right place at the right time.
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By 1980, the NWOBHM had broken into the mainstream, as albums by Iron Maiden and Saxon, as well as Motörhead, reached the British top 10. Though less commercially successful, other NWOBHM bands such as Venom and Diamond Head would have a significant influence on metal’s development. In 1981, Motörhead became the first of this new breed of metal bands to top the UK charts with No Sleep ’til Hammersmith.
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Fred, my thought is that such a format would have the best success in a market that had a KROQ (L.A.) or 91X (S.D.) in the 80s. And it would need to be tweaked to encompass artists and songs that were big on the original station and downplay those that were bigger elsewhere.
Classic Rock is a British magazine dedicated to rock music, published by Future PLC, who are also responsible for its “sister” publications Metal Hammer and Prog magazine. Although firmly focusing on key bands from the 1960s through early 1990s, it also includes articles and reviews of contemporary and upcoming artists it deems worthy of note. Despite starting as an on-off project it became one of the UK’s best selling music magazines. In September 2010 it published its 150th issue and now has a higher circulation than the NME.
For many artists and bands, visual imagery plays a large role in heavy metal. In addition to its sound and lyrics, a heavy metal band’s image is expressed in album cover art, logos, stage sets, clothing, design of instruments, and music videos.
Pink Floyd is a classic example of a band that made the astounding transformation from cult rock darlings to a world-famous rock act. Before achieving legendary rock status, Pink Floyd was founded by the offbeat genius Syd Barrett, primarily as a vehicle for his tripped-out inclinations that extended beyond music.
This song by Aerosmith is included in their album Toys in the Attic which gave the band the breakthrough success they aspired. It still rocks to high heaven, even 40 years after it was first released.
Written by Jimmy Page and Robert Plant, this is easily the greatest classic rock song of all time. The song opens with an acoustic-based folk intro and is highlighted by hard-edged rock music courtesy of Page’s intricate guitar work. Despite being never released as a single, it was the most requested song on the radio.
U2 is one of the best bands ever! With or Without You, One, Where the Streets Have No Name… Really guys. Lots of the higher-ranked bands are mildly painful to listen to. U2 has way more good songs than some of those bands. Bono is the best, the Edge is fabulous on guitar. If you really listen to some of their songs, not just their most recent album, you would agree with me.
Metalcore, a hybrid of extreme metal and hardcore punk, emerged as a commercial force in the mid-2000s decade. Through the 1980s and 1990s, metalcore was mostly an underground phenomenon; pioneering bands include Earth Crisis, other prominent bands include Converge, Hatebreed and Shai Hulud. By 2004, melodic metalcore—influenced as well by melodic death metal—was popular enough that Killswitch Engage’s The End of Heartache and Shadows Fall’s The War Within debuted at numbers 21 and 20, respectively, on the Billboard album chart.
Metal remained popular in the 2000s, particularly in continental Europe. By the new millennium Scandinavia had emerged as one of the areas producing innovative and successful bands, while Belgium, The Netherlands and especially Germany were the most significant markets. Established continental metal bands that placed multiple albums in the top 20 of the German charts between 2003 and 2008, including Finnish band Children of Bodom, Norwegian act Dimmu Borgir, Germany’s Blind Guardian and Sweden’s HammerFall.
Paranoid, a masterpiece subjective to the spontaneous product of the human mind; did you know that Paranoid was created as a ‘filler’? Here’s what Geezer Butler said… The Song ‘Paranoid’ was written as an afterthought. We basically needed a 3 minute filler for the album, and Tony came up with the riff. I quickly did the lyrics, and Ozzy was reading them as he was singing. ” Remarkable.
Provided to YouTube by Sony Music Entertainment Catfish · Bob Dylan / Bob Dylan The Bootleg Series Volumes 1-3 (Rare And Unreleased) 1961-1991 Released on: 1991-03-22 Composer, Lyricist: B. Dylan Composer, Producer: Jeff Rosen A& R Coordinator, Producer: Don DeVito Composer, Lyricist: J.
39 Metallica Metallica is an American Thrash Metal band formed in 1981 . The original lineup was James Hetfield (Vocalist and Rhythm guitarist), Dave Mustaine (Lead Guitar), Lars Ulrich (Drums), Ron McGovney (Bassist). The group came into mainstream from their Self-Titled album and the hit single “Enter Sandman”. …read more.
I get it they are not everyone’s cup of tea and people get tired of hearing their names mentioned. But when people mention old music and everyone thinks of The Beatles, doesn’t that say something? Let’s give John, Paul, George and Ringo some credit.
^ Leigh, Frederic A. (2011). “Classic Rock Format”. In Sterling, Christopher H.; O’Dell, Cary. The Concise Encyclopedia of American Radio. Routledge. p. 153. ISBN 1135176841. Retrieved August 2, 2015.
“Bohemian Rhapsody” is a prime example of 1970s’ progressive rock. Written by vocalist/pianist Freddy Mercury and performed by Queen, the song is a six-minute suite, including an operatic passage, of all things, and multiple key and tempo changes, and may be the most original of all songs on this stellar list. Not surprisingly, after released, “Bohemian Rhapsody” hit the top of the UK Singles Chart, selling more than nine million copies and kicked butt in the US as well. Astonishingly, the song was re-released in 1992, after the death of Mercury, and did almost as well then. Then in 2004, “Bohemian Rhapsody” was inducted into the Grammy Hall of Fame. This awesome song is a prime example of the astonishing range of expression in rock and roll!
The greatest classic rock bands of all time embody the spirit of a generation of people who just wanted to rock. These top classic rock bands include some of the best live acts of all time and man, did they rock hard. For those who got to see these amazing classic rock bands live, you’ll surely understand how they earned the title of best classic rock band; for those who missed out, they’ll simply remain the bands you wish you could have seen live.
Can’t believe there is no more Journey on this list than there is. I don’t think “Don’t Stop Believing” is their best song but I would be very hard pressed to pick a favorite out of their vast catalog. Even though I love Pink Floyd, the Stones, Zepp, Queen, and all the others, there’s just no way that Queen’s “The Show Must Go On” is better than every Journey song!
^ Jump up to: a b Strong, Catherine (2015). “Shaping the Past of Popular Music: Memory, Forgetting and Documenting”. In Bennett, Andy; Waksman, Steve. The SAGE Handbook of Popular Music. SAGE. p. 423. ISBN 1473910994.
As described above, there are arguments about whether these and other early bands truly qualify as “heavy metal” or simply as “hard rock”. Those closer to the music’s blues roots or placing greater emphasis on melody are now commonly ascribed the latter label. AC/DC, which debuted with High Voltage in 1975, is a prime example. The 1983 Rolling Stone encyclopedia entry begins, “Australian heavy-metal band AC/DC”. Rock historian Clinton Walker writes, “Calling AC/DC a heavy metal band in the seventies was as inaccurate as it is today…. [They] were rock ‘n’ roll band that just happened to be heavy enough for metal”. The issue is not only one of shifting definitions, but also a persistent distinction between musical style and audience identification: Ian Christe describes how the band “became the stepping-stone that led huge numbers of hard rock fans into heavy metal perdition”.