Choice Classic Rock is a commercial-free, online-only Radio Station – streaming music from the Classic Rock decades. Expect to hear a lot of music you know – as well as music you may never have heard. You will hear hits, near hits, and lots of deep, album-only tracks originally released in the 1960’s, 1970’s and 1980’s. You will also be the first to hear new tracks from new albums released by Classic Rock artists. In this era where there is a such huge selection of entertainment to choose from, I invite you to listen to Choice Classic Rock. I have been programming this commercial-free station for[…]
In 2010, Classic Rock partnered with Road Runner Record UK to publish the Classic Rock Presents: Slash. Believed to be the first magazine publisher to top an online album chart, the pioneering “Fan Pack” release gives fans in Europe Slash’s debut solo album, one month before it receives a standard release with a full 132 page magazine about Slash. The partnership marks the first-time a major album has been released exclusively with a magazine publisher, ahead of general release.
30 Collective Soul Collective Soul is an American rock band originally from Stockbridge, Georgia. Now based in Atlanta, the group consists of lead vocalist Ed Roland, rhythm guitarist Dean Roland, bassist Will Turpin, drummer Johnny Rabb and lead guitarist Jesse Triplett.
Journey with Steve Perry really rocked. Just take a look at their live concerts on YouTube. They were the real deal – so much raw talent. Lots of people only know them for their ballads but they had lots of great rocking’ songs, too.
By 1992, black metal scenes had begun to emerge in areas outside Scandinavia, including Germany, France, and Poland. The 1993 murder of Mayhem’s Euronymous by Burzum’s Varg Vikernes provoked intensive media coverage. Around 1996, when many in the scene felt the genre was stagnating, several key bands, including Burzum and Finland’s Beherit, moved toward an ambient style, while symphonic black metal was explored by Sweden’s Tiamat and Switzerland’s Samael. In the late 1990s and early 2000s decade, Norway’s Dimmu Borgir brought black metal closer to the mainstream, as did Cradle of Filth.
PETERBILT IS AN ALL-PRO COUNTRY BAND CONSISTING OF SEASONED MUSICIANS. WE COVER HOUSTON, DALLAS-FORT WORTH, CORPUS CHRISTI, SAN ANTONIO, AS WELL AS THE REST OF THE GREAT STATE OF TEXAS, UNITED STATES OF AMERICA, AND CANADA. THE MUSICIANS IN THIS BAND HAVE PLAYED WITH ARTISTS SUCH AS JOHN ANDERSON, JOHNNY PAYCHECK, BONNIE RAITT, ROY HEAD (FATHER OF 2016 VOICE WINNER SUNDANCE HEAD), EDDY RAVEN, JOHNNY LEE, GENE WATSON, MARK CHESNUTT, DOUG SUPERNAW, RICK TREVINO, AND MANY MANY MORE!! THE… (more)
One of the signatures of the genre is the guitar power chord. In technical terms, the power chord is relatively simple: it involves just one main interval, generally the perfect fifth, though an octave may be added as a doubling of the root. When power chords are played on the lower strings at high volumes and with distortion, additional low frequency sounds are created, which add to the “weight of the sound” and create an effect of “overwhelming power”. Although the perfect fifth interval is the most common basis for the power chord, power chords are also based on different intervals such as the minor third, major third, perfect fourth, diminished fifth, or minor sixth. Most power chords are also played with a consistent finger arrangement that can be slid easily up and down the fretboard.
In 1968, three of the genre’s most famous pioneers, Led Zeppelin, Black Sabbath and Deep Purple were founded. Though they came to attract wide audiences, they were often derided by critics. During the mid-1970s, Judas Priest helped spur the genre’s evolution by discarding much of its blues influence; Motörhead introduced a punk rock sensibility and an increasing emphasis on speed. Beginning in the late 1970s, bands in the new wave of British heavy metal such as Iron Maiden and Saxon followed in a similar vein. Before the end of the decade, heavy metal fans became known as “metalheads” or “headbangers”.
Within months of recording their fifth album Highway to Hell, lead singer Bon Scott died in early 1980 due excessive alcohol consumption. In grief, the band considered splitting up but changed their minds, eventually hiring British singer Brian Johnson to replace Scott. With Johnson as new front man, AC/DC recorded Back in Black which turned out to be their most commercially successful album — in fact, it became one of the best-selling albums of all time. The formula has not changed since the band’s genesis, and that even helped them sell millions of records worldwide.
Although a number of metal musicians cite classical composers as inspiration, classical and metal are rooted in different cultural traditions and practices—classical in the art music tradition, metal in the popular music tradition. As musicologists Nicolas Cook and Nicola Dibben note, “Analyses of popular music also sometimes reveal the influence of ‘art traditions’. An example is Walser’s linkage of heavy metal music with the ideologies and even some of the performance practices of nineteenth-century Romanticism. However, it would be clearly wrong to claim that traditions such as blues, rock, heavy metal, rap or dance music derive primarily from “art music’.”
^ “Riffs”. Lucian K. Truscott IV for the Village Voice. January 22, 1970. “Led Zeppelin, popularly looked on as an English version of Blue Cheer, given to Vanilla Fudgeish heavy-handedness in all that it does, has come out with a good album, ‘Led Zeppelin II’ (Atlantic SD 8236). Sure, it’s ‘heavy.’ Sure, it’s volume-rock at a time when the trend seems to be toward acoustical niceties of country music”.
Heavy metal’s quintessential guitar style, built around distortion-heavy riffs and power chords, traces its roots to early 1950s Memphis blues guitarists such as Joe Hill Louis, Willie Johnson, and particularly Pat Hare, captured a “grittier, nastier, more ferocious electric guitar sound” on records such as James Cotton’s “Cotton Crop Blues” (1954); the late 1950s instrumentals of Link Wray, particularly “Rumble” (1958); the early 1960s surf rock of Dick Dale, including “Let’s Go Trippin'” (1961) and “Misirlou” (1962); and The Kingsmen’s version of “Louie Louie” (1963) which made it a garage rock standard.
So who defines the parameters of this seemingly genre-free category? It’s actually you – the listener. Very little is played on classic rock stations without extensive market research to find a niche amongst their audience, and that’s how regional popularity will always trump age or genre in defining the musical category of classic rock. Read more here about the carefully crafted classic rock subset and how age alone isn’t the only thing that can make a song truly “classic.”
But you don’t address another point. These 80’s bands (and OF COURSE I recognized Echo & The Bunneymen, and further know that Echo was the drum machine) had some hits. But they were never “album” bands.
Kearney, Neb (KGFW) – City Council candidate Eric Mortimore wants to get a jump on the race. He held a town hall event on March 22nd welcoming members of the community to share their ideas on what steps Kearney should take. He had a few ideas of his own as well: “One thing I want…