At the Classic Rock Custom & Designer Jewelry store, we’ve been helping educate clients for almost 30 years. We have four gemological laboratory areas to teach you the science behind the gemstones. Come experience the new modern way of buying fine jewelry. Knowledge is Powerful!
Uniting Fans And Bands Across The Lands – An hour of X-rated music and mayhem from The Heart of Sherwood Forest featuring tracks you’ve never heard before, expressions you’ve never heard before and jokes you’ll never want to hear again – all hosted by…
No one has ever said love was easy. In fact, most of the time, it is filled with self-sabotage because people fear getting hurt. Released in 1971, this song describes the emotions you go through, from the past to present when in a relationship.
The “Royal Dukes Band” is the function band that is not a “Function Band”. With regular showcase performances and a free demo CD you can see and hear them live before booking them, and pick and choose the size and configuration of your dream band. These full-time professional young musicians focus squarely on getting your night up and jumping, but without the cheese. Best of all, they are self-managed, so they are much less expensive than other bands in this quality bracket – you are not… (more)
Blaggards, The BibleCode Sundays, Gaelic Storm, The Elders, The Dreadnoughts, Young Dubliners, The Tossers, Flogging Molly, The Pogues, Enter The Haggis, Flatfoot 56, Dropkick Murphys, The Black Tartan Clan, Shilelagh Law, Black 47, The Real McKenzies, The Rumjacks, The O’Reillys and the Paddyhats, Great Big Sea, The Irish Descendants
One of the signatures of the genre is the guitar power chord. In technical terms, the power chord is relatively simple: it involves just one main interval, generally the perfect fifth, though an octave may be added as a doubling of the root. When power chords are played on the lower strings at high volumes and with distortion, additional low frequency sounds are created, which add to the “weight of the sound” and create an effect of “overwhelming power”. Although the perfect fifth interval is the most common basis for the power chord, power chords are also based on different intervals such as the minor third, major third, perfect fourth, diminished fifth, or minor sixth. Most power chords are also played with a consistent finger arrangement that can be slid easily up and down the fretboard.
The Party Rock Project is one of the coolest rock bands in Utah. They add their own unique, hip sound to everything from Cold Play to the Beatles, making each tune sound vibrant and fresh. They specialize in providing interactive entertainment for corporate functions, and really know how to bring fun to events.
Appearing on The Who’s spectacular album, Who’s Next, “Won’t Get Fooled Again,” was written by guitarist Pete Townshend, who said the song seeks to make a connection between music – highlighted by the use of a synthesizer throughout the song – and the teachings of Meher Baba and Inayat Khan. Thereafter, “Won’t Get Fooled Again” became a song The Who usually played at the end of their live performances, when Townshend destroyed his guitar and Keith Moon kicked over his drums, as the crowd squealed and hooted with delight.
Recently signed to Spinefarm/Universal, these British hard rockers release their debut album, Ain’t Always Easy, on March 2. Purveyors of the kind of riffy hard rock that worked so well for the likes of Black Stone Cherry, Stone Broken just might be one of the current crop of homegrown talent that make major progress in the coming year.
The prominent role of the bass is also key to the metal sound, and the interplay of bass and guitar is a central element. The bass guitar provides the low-end sound crucial to making the music “heavy”. The bass plays a “more important role in heavy metal than in any other genre of rock”. Metal basslines vary widely in complexity, from holding down a low pedal point as a foundation to doubling complex riffs and licks along with the lead or rhythm guitars. Some bands feature the bass as a lead instrument, an approach popularized by Metallica’s Cliff Burton with his heavy emphasis on bass guitar solos and use of chords while playing bass in the early 1980s. Lemmy of Motörhead often played overdriven power chords in his bass lines.
Jump up ^ Leigh, Frederic A. (2011). “Classic Rock Format”. In Sterling, Christopher H.; O’Dell, Cary. The Concise Encyclopedia of American Radio. Routledge. p. 153. ISBN 1135176841. Retrieved August 2, 2015.
Classic rock formulated as a radio format in the early 1980s. It features commercially successful rock music and artists / bands from the 60s to the late 80s. The format is often referred to as album-orientated rock (aor) which is defined by use of rock album tracks with a large commercial appeal.
Ready to rock? GigMasters can help you find a Classic Rock Bands fit for any event: weddings, birthday parties, anniversaries, corporate functions, and more. Choose from our listing of the best bands in the Dallas, TX area.
Personally, I’m a fan of a lot of this stuff, despite the fact it received consistently sporadic airplay in Detroit where I programmed. Oddly enough, one of my favorite satellite music channels is “1st Wave,” which features a steady diet of bands like New Order, Depeche Mode, and others that Derdyn mentions in his column. I would bet the folks at SiriusXM would tell us it’s not among the most popular of their themed music formats.
For the 91st issue (in April 2006), the magazine presented ‘The 100 Greatest British Rock Albums Ever’, which were voted for by Classic Rock staff and various people associated with rock music (including Glenn Hughes of Deep Purple and Black Sabbath fame, Lemmy of Motörhead and Francis Rossi of Status Quo). The magazine decided to let AC/DC be classed as a British act, although the band was formed in Australia. All of the band’s singers (Dave Evans, Bon Scott and Brian Johnson) and guitarists Angus and Malcolm Young are of UK descent. Led Zeppelin’s Led Zeppelin IV reached first place.
One of the most brilliant bands, and also the most under appreciated. Ann’s crazy voice combined with Nancy’s amazing guitar skills! What more could you want? Heart should definitely make the top ten. They gave us barracuda. Need I say more?
U2 is one of the best bands ever! With or Without You, One, Where the Streets Have No Name… Really guys. Lots of the higher-ranked bands are mildly painful to listen to. U2 has way more good songs than some of those bands. Bono is the the Edge is fabulous on guitar. If you really listen to some of their songs, not just their most recent album, you would agree with me.
Though Judas Priest did not have a top 40 album in the United States until 1980, for many it was the definitive post-Sabbath heavy metal band; its twin-guitar attack, featuring rapid tempos and a non-bluesy, more cleanly metallic sound, was a major influence on later acts. While heavy metal was growing in popularity, most critics were not enamored of the music. Objections were raised to metal’s adoption of visual spectacle and other trappings of commercial artifice, but the main offense was its perceived musical and lyrical vacuity: reviewing a Black Sabbath album in the early 1970s, leading critic Robert Christgau described it as “dull and decadent…dim-witted, amoral exploitation.”
With that said, always feel free to contact us regarding music you’d like to hear on Classic Rock 109. Just head on over to our Facebook page and let us know. If the song is not in our current library, We’ll contact the label, and do our best to get it on the air as aoon as possible.
Released in 1987, this classic love song takes you through the journey of someone who is in love but doesn’t know how to think about it. “Is this love that I’m feeling, is this the love, that I’ve been searching for? Is this love or am I dreaming?”
In an article written for Grove Music Online, Walser stated that the “1980s brought on … the widespread adaptation of chord progressions and virtuosic practices from 18th-century European models, especially Bach and Antonio Vivaldi, by influential guitarists such as Ritchie Blackmore, Marty Friedman, Jason Becker, Uli Jon Roth, Eddie Van Halen, Randy Rhoads and Yngwie Malmsteen”. Kurt Bachmann of Believer has stated that “If done correctly, metal and classical fit quite well together. Classical and metal are probably the two genres that have the most in common when it comes to feel, texture, creativity.”
The essence of metal drumming is creating a loud, constant beat for the band using the “trifecta of speed, power, and precision”. Metal drumming “requires an exceptional amount of endurance”, and drummers have to develop “considerable speed, coordination, and dexterity … to play the intricate patterns” used in metal. A characteristic metal drumming technique is the cymbal choke, which consists of striking a cymbal and then immediately silencing it by grabbing it with the other hand (or, in some cases, the same striking hand), producing a burst of sound. The metal drum setup is generally much larger than those employed in other forms of rock music. Black metal, death metal and some “mainstream metal” bands “all depend upon double-kicks and blast beats”.
^ Leigh, Frederic A. (2011). “Classic Rock Format”. In Sterling, Christopher H.; O’Dell, Cary. The Concise Encyclopedia of American Radio. Routledge. p. 153. ISBN 1135176841. Retrieved August 2, 2015.
Music scholar Jon Stratton traced classic rock’s origins to the emergence of a classic-rock canon. This canon arose in part from music journalism and superlative lists ranking certain albums and songs that are consequently reinforced to the collective and public memory. Robert Christgau said the classic-rock concept transmogrified rock music into a “myth of rock as art-that-stands-the-test-of-time”, and believed the canonizing of certain rock artists by critics, major media, and music establishment entities such as the Rock and Roll Hall of Fame was inevitable. Media academic Roy Shuker said classic-rock radio programmers largely play “tried and proven” hit songs from the past based on their “high listener recognition and identification”; he identified white male rock acts from the Beatles’ Sgt. Pepper era through the end of the 1970s as the focus of their playlists. As Catherine Strong observed, classic rock songs are generally performed by white male acts from either the United States or the United Kingdom, “have a four-four time, very rarely exceed the time limit of four minutes, were composed by the musicians themselves, are sung in English, played by a ‘classical’ rock formation (drums, bass, guitar, keyboard instruments) and were released on a major label after 1964.”