Sound Opinions, the World’s only rock and roll talk show; now to go. Hosted by Jim DeRogatis of the Vocalo.org and Greg Kot of the Chicago Tribune. Each week Jim and Greg bring you the latest music news and reviews. Plus tune in to hear exclusive…
As the story goes, The Beatles movie needed a title, something other than Beatlemania, so the Beatles suggested a comment made by Ringo might work. Ringo had said they’ve worked so hard night and day that it’s been a hard . . . day’s night, kind of a malapropism. Eureka! Then, once the producers had a title for the movie, they also needed a theme song. So John Lennon and Paul McCartney wrote it and the Beatles recorded it the next day. In July 1964, “A Hard Day’s Night,” the single and album, soared to #1 on the charts in both the US and UK, the first time a musical group had achieved such a feat.
Survivor, Pink Floyd, The Steve Miller Band, Devo, Aerosmith, Skid Row, The Clash, Billy Idol, The Rolling Stones, Bruce Springsteen, Lita Ford & Ozzy Osborne, Starship, Foreigner, The Go-Go’s, Inxs, The Cure, R.E.M., Talking Heads, Def Leppard, Eddie Money, Queen, Dire Straits, Billy Joel, Bon Jovi, Hall and Oates, Duran Duran, Blondie, Van Halen, REO Speedwagon, Eurythmics, Scorpions, Genesis, Heart, The Police, Journey, Poison, The Pretenders, ZZ Top, Guns N’ Roses, Rush, Depeche Mode, U2, Tom Petty, Bryan Adams, The Bangles, John Mellencamp, Pat Benatar, Yes, The Smiths, David Bowie
Listen to @blackberrysmoke’s “big, beautiful jump-blues explosion” I’ll Keep Ramblin’: http://teamrock.com/news/2018-03-23/blackberry-smoke-launch-jump-blues-explosion-ill-keep-ramblin …pic.twitter.com/2PDPiuHczy
When it comes to an epic love song, there are a lot of things to look for and one of them is a story. Released in 1988, this song tells one of the best stories yet. “So tonight I’ll ask the stars above. How did I ever win your love? What did I do, what did I say? To turn your angel eyes my way?”
Writer Jim Sullivan talks to rock drummers who followed in Ringo Starr’s wake and discovers a unanimous praise for his skills, groove, swing and time on the kit – a too often overlooked secret to the success of The Beatles.
Lincoln, Neb (KGFW) – Senators once again could not find common ground when it came to the state budget. With only 11 more scheduled days on the legislative calendar and many other issues still looming over the senators heads, it was thought that cooler heads would prevail and a budget would be passed. Governor Pete…
This is the Real School of Rock! The Original Rock and Roll Podcast. Interviews, music and more from a Rock and Roll Geek. All done with a Metal Sludge, Blabbermouth sense of humor for fans of Aerosmith, Cheap Trick, Wildhearts, Metallica, AC/DC,…
This band showed astounding talent in every aspect of music. Listen to any of their songs to listen to Robert Plant’s triple octive voice. Listen to Kashmir or Moby Dick to hear John Bonham’s drum skills or The Lemon Song to hear one of the greatest bass lines ever.
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Dubbed as an anthem for apathetic kids, “Smells Like Teen Spirit” is arguably Nirvana’s greatest hit and perhaps the greatest one of Grunge or alternative rock. It’s so popular, even now, that college marching bands sometimes play it. Moreover, the intro guitar lick, played with power chords, has become one of the most iconic riffs in rock and roll history. It seems every rock guitarist can play it to some degree. How about you? Anyway, the song blasted to #6 on Billboard’s Hot 100 in 1991 and 1992, shaking up the entire world of rock.
In January 1969, Led Zeppelin’s self-titled debut album was released and reached number 10 on the Billboard album chart. In July, Zeppelin and a power trio with a Cream-inspired, but cruder sound, Grand Funk Railroad, played the Atlanta Pop Festival. That same month, another Cream-rooted trio led by Leslie West released Mountain, an album filled with heavy blues rock guitar and roaring vocals. In August, the group—now itself dubbed Mountain—played an hour-long set at the Woodstock Festival, exposing the crowd of 300,000 people to the emerging sound of heavy metal. Mountain’s proto-metal or early heavy metal hit song “Mississippi Queen” from the album Climbing! is especially credited with paving the way for heavy metal and was one of the first heavy guitar songs to receive regular play on radio. In September 1969, the Beatles released the album Abbey Road containing the track “I Want You (She’s So Heavy)” which has been credited as an early example of or influence on heavy metal or doom metal. In October 1969, British band High Tide debuted with the heavy, proto-metal album Sea Shanties.
As a specialty show, Classic Alternative has been a good Sunday morning compliment for quite a few existing Alternative stations. In some markets, I wonder if a Classic Alternative WEEKEND show might also work in a Classic Rock, Classic Hits or even an AC format (if you stick to the bigger MTV hits)?
Though Judas Priest did not have a top 40 album in the United States until 1980, for many it was the definitive post-Sabbath heavy metal band; its twin-guitar attack, featuring rapid tempos and a non-bluesy, more cleanly metallic sound, was a major influence on later acts. While heavy metal was growing in popularity, most critics were not enamored of the music. Objections were raised to metal’s adoption of visual spectacle and other trappings of commercial artifice, but the main offense was its perceived musical and lyrical vacuity: reviewing a Black Sabbath album in the early 1970s, leading critic Robert Christgau described it as “dull and decadent…dim-witted, amoral exploitation.”
Jump up ^ Leigh, Frederic A. (2011). “Classic Rock Format”. In Sterling, Christopher H.; O’Dell, Cary. The Concise Encyclopedia of American Radio. Routledge. p. 153. ISBN 1135176841. Retrieved August 2, 2015.
The Stones started in the business by doing covers of the American artists they admired. But eventually the Stones made their mark in the world through their own original songs such as “(I Can Get No) Satisfaction,” “Paint It Black,” “Get Off My Cloud,” and “Honky Tonk Women,” among others, which became huge chart hits. They have not only endured the changing trends of each decade, they have also integrated some of those trends and musical styles into their own music with so much success. Albums such as Out of Our Heads, Their Satanic Majesties Request, Exile on Main Street, Sticky Fingers, Through the Past Darkly, Some Girls and Tattoo You are just a handful from the Stones’ beloved vast body of work.
Over the years my taste in music has been redefined many times. It all came to a rest at Queen. The pure musicianship of every single member of this amazing band shows that they are the greatest band ever. Each member is credited for writing at least one #1 hit, even the bass and drummer. That is no surprise when you look at each one though. John Deacon has some of the most iconic bass lines ever. Roger Taylor with his intricate drum fills and an incredible voice which could have (and did) front a band of his own.
As we firmly move into the second half of 2017, the format ratings stories of the year are becoming clearer. As we’ve seen in the past few years, an odd demographic pattern has been forming around both the Classic Hits and Classic Rock formats in PPM markets:
Various artists, Claude Debussy, Rockabye Lullaby, Lullaby Baby: Instrumental Classics, Hushabye Baby, Smart Baby Lullaby Music, Classical Lullabies, Mozart Lullabies Baby Lullaby, Newborn Baby Lullabies, Rockabye Baby!, Twinkle Twinkle Little Star, Brian Crain, Soothing Piano Classics for Sleeping Babies, Michael Silverman, Lullaby Renditions of Classic Children’s Songs, Piano Lullabyes
The mindset underlying classic rock was regarded by Christgau as politically regressive; he said the music eschewed ironic sensibilities in favor of unintellectual, conventional aesthetics rooted in Victorian era Romanticism, while downplaying the more radical aspects of 1960s counterculture, such as race, African-American music, politics, and pop in the art sense. “Though classic rock draws its inspiration and most of its heroes from the ’60s, it is, of course, a construction of the ’70s”, he wrote in 1991 for Details magazine. “It was invented by prepunk/predisco radio programmers who knew that before they could totally commodify ’60s culture they’d have to rework it—that is, selectively distort it till it threatened no one … In the official rock pantheon the Doors and Led Zeppelin are Great Artists while Chuck Berry and Little Richard are Primitive Forefathers and James Brown and Sly Stone are Something Else.” Regarding the development of classic rock, Christgau points to the compromised socioeconomic security and diminishing collective consciousness of a new generation of listeners in the 1970s and on, who succeeded rock’s early years during baby-boomer economic prosperity in the United States. “Not for nothing did classic rock crown the Doors’ mystagogic middlebrow escapism and Led Zep’s chest-thumping megalomaniac grandeur. Rhetorical self-aggrandizement that made no demands on everyday life was exactly what the times called for.” Shuker attributed the rise of classic-rock radio in part to “the consumer power of the aging post-war ‘baby boomers’ and the appeal of this group to radio advertisers”. In his opinion, classic rock also produced a rock music ideology and discussion of the music that was “heavily gendered”, celebrating “a male homosocial paradigm of musicianship” that “continued to dominate subsequent discourse, not just around rock music, but of popular music more generally.”
The best song ever written bar none. This is because of how epic it is and how vast it is without ever getting boring. It is way better than Stairway to Heaven and any true Zeppelin fan will tell you that.
In the wake of the new wave of British heavy metal and Judas Priest’s breakthrough British Steel (1980), heavy metal became increasingly popular in the early 1980s. Many metal artists benefited from exposure they received on MTV, which began airing in 1981—sales often soared if a band’s videos screened on the channel. Def Leppard’s videos for Pyromania (1983) made them superstars in America and Quiet Riot became the first domestic heavy metal band to top the Billboard chart with Metal Health (1983). One of the seminal events in metal’s growing popularity was the 1983 US Festival in California, where the “heavy metal day” featuring Ozzy Osbourne, Van Halen, Scorpions, Mötley Crüe, Judas Priest, and others drew the largest audiences of the three-day event.
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Classic Rock was owned by British bands and a band doesn’t get more British than The Who. With amazing songs such as ‘Pinball Wizard’, ‘My Generation’ and ‘Baba O’Riley’ The Who are one of the best in the genre. Due to death in the band they didn’t make they greatest impact but showing that they can still rock they are still amazing now as they were in the 70s and 80s.
Derdeyn notes many of these bands didn’t get a “fair shake” when they first hit the music scene back in the ’80s. And certainly here in the States, there were many markets that did not have a true Modern Rock station back then. Most of these songs didn’t cross over to Top 40, while most mainstream rockers (known in those days as AOR) didn’t touch them. They were visible on MTV during that time, but less prominently played on FM radio.
On the other side of the Atlantic, the trend-setting group was Grand Funk Railroad, described as “the most commercially successful American heavy-metal band from 1970 until they disbanded in 1976, [they] established the Seventies success formula: continuous touring”. Other influential bands identified with metal emerged in the U.S., such as Sir Lord Baltimore (Kingdom Come, 1970), Blue Öyster Cult (Blue Öyster Cult, 1972), Aerosmith (Aerosmith, 1973) and Kiss (Kiss, 1974). Sir Lord Baltimore’s 1970 debut album and both Humble Pie’s debut and self-titled third album were all among the first albums to be described in print as “heavy metal”, with As Safe As Yesterday Is being referred to by the term “heavy metal” in a 1970 review in Rolling Stone magazine. Various smaller bands from the U.S., U.K, and Continental Europe, including Bang, Josefus, Leaf Hound, Primeval, Hard Stuff, Truth and Janey, Dust, JPT Scare Band, Frijid Pink, Cactus, May Blitz, Captain Beyond, Toad, Granicus, Iron Claw, and Yesterday’s Children, though lesser known outside of their respective scenes, proved to be greatly influential on the emerging metal movement. In Germany, Scorpions debuted with Lonesome Crow in 1972. Blackmore, who had emerged as a virtuoso soloist with Deep Purple’s highly influential album Machine Head (1972), left the band in 1975 to form Rainbow with Ronnie James Dio, singer and bassist for blues rock band Elf and future vocalist for Black Sabbath and heavy metal band Dio. Rainbow with Ronnie James Dio would expand on the mystical and fantasy-based lyrics and themes sometimes found in heavy metal, pioneering both power metal and neoclassical metal. These bands also built audiences via constant touring and increasingly elaborate stage shows.