Many subgenres of heavy metal developed outside of the commercial mainstream during the 1980s such as crossover thrash. Several attempts have been made to map the complex world of underground metal, most notably by the editors of AllMusic, as well as critic Garry Sharpe-Young. Sharpe-Young’s multivolume metal encyclopedia separates the underground into five major categories: thrash metal, death metal, black metal, power metal, and the related subgenres of doom and gothic metal.
Should be #1. Not only Ozzy but also the Heaven and Hell days with Dio and even the Martin era wasn’t bad. Nobody has this longevity and still making great music. What other band here put out an album as recently as Devil You Know that is near that quality?
Don Henley of the Eagles wanted to write a song about life in Los Angeles, California, particularly its emphasis on fame, hedonism and money. Henley wrote, “It’s basically a song about the dark underbelly of the American dream and about excess in America, which is something we knew a lot about.” Henley wanted the song, decidedly somber, and played in harmonic minor, seem like an episode of the Twilight Zone, which it certainly does. Apparently the song worked on many levels, because it won the Grammy Award for Record of the Year in 1978. And the dueling guitars coda was rated the greatest guitar solo by Guitarist magazine in 1998.
Endre Hegedus, Amadeus Quartet and Cecil Aronowitz and William Pleeth, Petersen Quartet, Itzhak Perlman & Daniel Barenboim, Claudio Arrau, Hilary Hahn & Allan Vogel & Los Angeles Chamber Orchestra & Jeffrey Kahane, Emerson String Quartet, Alfred Brendel and Bernard Haitink and London Philharmonic Orchestra, Joshua Bell, Eduardo Fernández and English Chamber Orchestra and George Malcolm, Kodaly Quartet, Daniel Barenboim, Mitsuko Uchida, Vladimir Ashkenazy, Academy of St. Martin in the Fields and Sir Neville Marriner, Simone Dinnerstein, Jaroslav Dvorak, Jozsef Kiss, The Angeles String Quartet, Francois-Joel Thiollier, Max Richter
Frank Patterson, The Irish Rovers, The Fureys & Davey Arthur, Young Dubliners, Dublin City Ramblers, Lúnasa, The Chieftains with Sinead O’Connor, The Dubliners, Altan, Sarah Moore, Sharon Shannon, The Clancy Brothers and Tommy Makem, Paddy Reilly, Ronnie Drew, Tommy Makem, Luke Kelly, The Wailin’ Jennys, The Chieftains, The Pogues
Is love suppose to be based on what you want in the relationship or what they want in the relationship? What about reciprocation? Released in 1977, this soft rock ballad shows a different side of Cooper that we have never seen before.
KRBE, an AM station in Houston, was an early classic rock radio station. In 1983 program director Paul Christy designed a format which played only early album rock, from the 1960s and early 1970s, without current music or any titles from the pop or dance side of Top 40. Another AM station airing classic rock, beginning in 1983, was KRQX in Dallas-Fort Worth. KRQX was co-owned with an album rock station, 97.9 KZEW. Management saw the benefit in the FM station appealing to younger rock fans and the AM station appealing a bit older. The ratings of both stations could be added together to appeal to advertisers. Classic rock soon became the widely used descriptor for the format, and became the commonly used term, among the general public, for early album rock music.
CLASSIC is exactly that! The Cream of The Crop. The All Time Favorites. The Greatest Hits of All Time. I agree with Walter: Introduce NEW collections of Outstanding Music with Modern Curation, Presentation and Information. Sure beats the same old, same old…on the corner of Fresh & Familiar. Along with new sponsor presentation, it will fix some big signals with in-house resources. Thank you, Fred! Clark, Boston. http://www.broadcastideas.com
Jump up ^ Leigh, Frederic A. (2011). “Classic Rock Format”. In Sterling, H.; O’Dell, Cary. The Concise Encyclopedia of American Radio. Routledge. p. 153. ISBN 1135176841. Retrieved August 2, 2015.
Heavy metal’s quintessential guitar style, built around distortion-heavy riffs and power chords, traces its roots to early 1950s Memphis blues guitarists such as Joe Hill Louis, Willie Johnson, and particularly Pat Hare, who captured a “grittier, nastier, more ferocious electric guitar sound” on records such as James Cotton’s “Cotton Crop Blues” (1954); the late 1950s instrumentals of Link Wray, particularly “Rumble” (1958); the early 1960s surf rock of Dick Dale, including “Let’s Go Trippin'” (1961) and “Misirlou” (1962); and The Kingsmen’s version of “Louie Louie” (1963) which made it a garage rock standard.
Alice should be in the top 5 at least. I mean, he’s a badass. He’s got a great voice, killer music, and he’s a showman, which makes his concerts all the more enjoyable/interesting. Guy deserves so much more credit. I LOVE you, ALICE COOPER!
By 1980, the NWOBHM had broken into the mainstream, as albums by Iron Maiden and Saxon, as well as Motörhead, reached the British top 10. Though less commercially successful, other NWOBHM bands such as Venom and Diamond Head would have a significant influence on metal’s development. In 1981, Motörhead became the first of this new breed of metal bands to top the UK charts with No Sleep ’til Hammersmith.
Flo Rida, Demi Lovato, Imagine Dragons, Maroon 5, Taylor Swift, Lorde, Dagny, Noah Kahan, The Chainsmokers & Coldplay, Justin Timberlake, Halsey, Kelly Clarkson, Pitbull feat. Ke$ha, Fitz & The Tantrums, Pharrell Williams, Sia feat. Sean Paul, Loote, Shawn Mendes, DJ Snake, Dua Lipa, Alessia Cara, WALK THE MOON, Mark Ronson feat. Bruno Mars, Kesha, Meghan Trainor
Released in 1991, this glam metal power ballad exemplifies what every relationship wants, a love that lasts forever. When we think of love, what do you we think of? Forever in my heart, I finally found a love of a lifetime.
Acid rock Anatolian rock Art rock Baroque rock Beat music Blues rock Boogie rock Christian rock Comedy rock Country rock Electronic rock Experimental rock Folk rock Flamenco rock Garage rock Hard rock Heavy metal Jam Jazz rock Krautrock Power pop Progressive rock Psychedelic rock Raga rock Roots rock Samba rock Southern rock Space rock Surf music
The variety, however, is staggering. There are some defined by songs, and others by the way other artists rushed to sound just like them. A few figures trace through multiple entries, showing up alone and in larger groups. Some remained steadfast in their musical convictions, playing with a remarkable consistency; others seemed to change directions as often as they switched venues on a cross-crossing world tour. Then there are those who appear like shooting stars, burning brightly but gone far too soon.