Sherrill ‘brings fun to life’! She’s a pro singer/entertainer/impersonator who performs in Vegas, Nashville, Atlantic City and worldwide. She has also performed for Ross Perot, many casinos, corporate events, city concerts, corporte events, fairs/festivals, etc. She sings Country, Classic Rock, rock n’ roll (50’s, 60’s) and offers impersonations/Tribute Shows to Patsy Cline, Dolly Parton and Stevie Nicks (Fleetwood Mac). She is the ‘Voice of Many Faces’, performing over 220 Classic/Top 40… (more)
Please note these Classic Rock Bands will also travel to Irving, North Branch, Addison, DFW Airport, Richardson, Garland, Mesquite, Grand Prairie, Hutchins, Duncanville, Carrollton, Sunnyvale, Balch Springs, Lancaster, Coppell, Desoto, Rowlett, Sachse, Wilmer, Euless, Plano, Murphy, Seagoville, Cedar Hill, Grapevine, Red Oak, Bedford, Parker, Arlington, The Colony
Classic Hits tends to play only singles, while Classic Rock plays album tracks that weren’t on Top 40. That’s not an option for these 80’s bands. With most 80’s bands there are no useful depth tracks, and many of the bands were one-hit wonders.
The combination of blues rock with psychedelic rock and acid rock formed much of the original basis for heavy metal. The variant or subgenre of psychedelic rock often known as “acid rock” was particularly influential on heavy metal; acid rock is often defined as a heavier, louder, or harder variant of psychedelic rock, or the more extreme side of the psychedelic rock genre, frequently containing a loud, improvised, and heavily distorted guitar-centered sound. Acid rock has been described as psychedelic rock at its “rawest and most intense,” emphasizing the heavier qualities associated with both the positive and negative extremes of the psychedelic experience rather than only the idyllic side of psychedelia. American acid rock garage bands such as the 13th Floor Elevators epitomized the frenetic, heavier, darker and more psychotic sound of acid rock, a sound characterized by droning guitar riffs, amplified feedback, and guitar distortion, while the 13th Floor Elevators’ sound in particular featured yelping vocals and “occasionally demented” lyrics. Frank Hoffman notes that: “Psychedelia was sometimes referred to as ‘acid rock’. The latter label was applied to a pounding, hard rock variant that evolved out of the mid-1960s garage-punk movement. … When rock began turning back to softer, roots-oriented sounds in late 1968, acid-rock bands mutated into heavy metal acts.”
The best song ever written bar none. This is because of how epic it is and how vast it is without ever getting boring. It is way better than Stairway to Heaven and any true Zeppelin fan will tell you that.
Don Henley of the Eagles wanted to write a song about life in Los Angeles, California, particularly its emphasis on fame, hedonism and money. Henley wrote, “It’s basically a song about the dark underbelly of the American dream and about excess in America, which is something we knew a lot about.” Henley wanted the song, decidedly somber, and played in harmonic minor, seem like an episode of the Twilight Zone, which it certainly does. Apparently the song worked on many levels, because it won the Grammy Award for Record of the Year in 1978. And the dueling guitars coda was rated the greatest guitar solo by Guitarist magazine in 1998.
Love breeds memory and memory breeds reminiscing. Released in 1969, this song is all about the experience. The experience of love that was eventually lost, but remembered through words. There is something to value about that.
The Eagle’s song about the demise and decadence Hollywood show business went triple-platinum in the US alone, as well as selling well around the world. The success of the single helped its album Hotel California lift over 16 million copies. Needless to say, it has also become one of classic rock’s most memorable songs.
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He defined ‘80s rock with songs like “In the Air Tonight” and “Against All Odds,” and that was all after his successful ‘70s stint with the band Genesis. In 2010, Collins released “Going Back,” which is considered to be his final studio album. But could a comeback ever happen? Collins addressed his retirement on his website, revealing that he stopped his music career so he could be “a full time father to my two young sons on a daily basis.” Fans can only hope that maybe once his kids grow up he’ll be back.
Journey may be widely loved or roundly hated, grossly underrated or quite overrated, but it’s undeniable that the group has been enjoying a remarkable career that has spanned for over three decades. Charismatic front man Steve Perry and his cohorts Neal Schone and Jonathan Cain wrote some of the best-known hits in the rock arena.
Free… And that’s all I don’t see what people are on about with the reviews, saying you need to provide credit info etc… I’ve bought stuff from the Play store before using gift visa cards so maybe that’s why I didn’t need to. 5 free songs, to keep. Great.
^ Sharpe-Young, Garry, New Wave of American Heavy Metal (link). Edward, James. “The Ghosts of Glam Metal Past”. Lamentations of the Flame Princess. Archived from the original on February 16, 2011. Retrieved 2008-04-27. Begrand, Adrien. “Blood and Thunder: Regeneration”. PopMatters.com. Retrieved 2008-05-14.
I love the topic Fred! Lately, I’ve been enjoying the stream of 103.1 The Wave out of Salt Lake City, UT (http://www.1031thewave.com). In my opinion, the station has a very good Classic Alternative music mix, with a balance of big Modern Rock hits and a sprinkling of REALLY lost tracks, and it’s hosted with air talent. I would love to see more stations attempt the idea, but as you and others stated above, there are probably very few major markets where it might work.
Nice So….. I see a lot of people saying that these tracks are only “free” for 30th days, that is not the case. What the “free for 30th days” are referring to is the Google Play service which, just like Pandora, you can pay a monthly rate to have the premium version of it. Oh well….. Not like I’m the first-person here to point this out…. Smh. But I feel it’s a good deal! Free music is ALWAYS good!
You have got to be kidding me. Boston is higher than U2? At least U2 did something different to music! Boston made 5 hits. U2 made 15! Name a Boston song more successful than I Still Haven’t Found What I’m Looking For. Plus, U2 was in the rock hall their first year of eligibility. Boston isn’t even it it!
^ Jump up to: a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj ak al am an ao ap aq ar as at au av aw ax ay az Johnstone, Andrew (6 February 2015). “A General Guide to Soft Rock”. Rip It Up. Archived from the original on 28 September 2015.
The prominent role of the bass is also key to the metal sound, and the interplay of bass and guitar is a central element. The bass guitar provides the low-end sound crucial to making the music “heavy”. The bass plays a “more important role in heavy metal than in any other genre of rock”. Metal basslines vary widely in complexity, from holding down a low pedal point as a foundation to doubling complex riffs and licks along with the lead or rhythm guitars. Some bands feature the bass as a lead instrument, an approach popularized by Metallica’s Cliff Burton with his heavy emphasis on bass guitar solos and use of chords while playing bass in the early 1980s. Lemmy of Motörhead often played overdriven power chords in his bass lines.
During the mid-1980s, the classic rock format was mainly tailored to the adult male demographic ages 25–34, which remained its largest demographic through the mid-1990s. As the format’s audience aged, its demographics skewed toward older age groups. By 2006, the 35–44 age group was the format’s largest audience and by 2014 the 45–54 year-old demographic was the largest.
MARK & NEANDERPAUL’S :30 Second Song Challenge, sponsored by Larry H. Miller, Dodge-Ram Peoria, is weekdays @ 7:30 on 100.7 KSLX! Don’t forget about the :30 Second Song Challenge Cheat Sheet at 4pm, weekdays, with Pete Cummings. Pete will play the first 3 songs of the Next Morning’s :30 Second Song Challenge giving you an unfair advantage. Read More »
Why book Blue Hat? Blue Hat is a high energy 5 piece dance band playing a wide variety of pop, rock, country, and R&B. Fun, up tempo, sing-a-long, party music to celebrate good times. We do it all with class and professionalism. If your looking for a fabulous cover band who has experience playing for large corporate events, weddings, parties, popular clubs and restaurants, contact us. We taylor our shows not just meet but to exceed the expectations of the crowd. Our goal is to get… (more)
However, the genre’s direct lineage begins in the mid-1960s. American blues music was a major influence on the early British rockers of the era. Bands like The Rolling Stones and The Yardbirds developed blues rock by recording covers of classic blues songs, often speeding up the tempos. As they experimented with the music, the UK blues-based bands—and the U.S. acts they influenced in turn—developed what would become the hallmarks of heavy metal, in particular, the loud, distorted guitar sound. The Kinks played a major role in popularising this sound with their 1964 hit “You Really Got Me”.
In the mid-1980s, the format’s widespread proliferation came on the heels of Jacobs Media’s (Fred Jacobs) success at WCXR, in Washington, D.C., and Edinborough Rand’s (Gary Guthrie) success at WZLX in Boston. Between Guthrie and Jacobs, they converted more than 40 major market radio stations to their individual brand of classic rock over the next several years.
Once the Greg Simpson Band takes the stage their rock-star persona becomes immediately apparent. Greg is an exceptional talent that relies on his gritty vocals to transform classics from Journey, the Eagles, Styx, Fleetwood Mac, and many others into fresh-sounding masterpieces. His musicianship is well-respected in the industry and he has shared the stage with many notable artists such as Jewel, SheDaisy, and Shane Jackman. Greg Simpson is an amazing concert performer, but is also great for dances, parties, fairs, corporate events, and festivals.
Music scholar Jon Stratton traced classic rock’s origins to the emergence of a classic-rock canon. This canon arose in part from music journalism and superlative lists ranking certain albums and songs that are consequently reinforced to the collective and public memory. Robert Christgau said the classic-rock concept transmogrified rock music into a “myth of rock as art-that-stands-the-test-of-time”, and believed the canonizing of certain rock artists by critics, major media, and music establishment entities such as the Rock and Roll Hall of Fame was inevitable. Media academic Roy Shuker said classic-rock radio programmers largely play “tried and proven” hit songs from the past based on their “high listener recognition and identification”; he identified white male rock acts from the Beatles’ Sgt. Pepper era through the end of the 1970s as the of their playlists. As Catherine Strong observed, classic rock songs are generally performed by white male acts from either the United States or the United Kingdom, “have a four-four time, very rarely exceed the time limit of four minutes, were composed by the musicians themselves, are sung in English, played by a ‘classical’ rock formation (drums, bass, guitar, keyboard instruments) and were released on a major label after 1964.”